Ludwig van Beethoven

1770 Bonn Germany - 1827 Vienna Austria

Ludwig van Beethoven Biography

Works of Ludwig van Beethoven

• Op. 1 Piano Trio No. 1 in E flat major 1792-1793
  Dedicated to Prince Carl Lichnowsky
• Op. 1 Piano Trio No. 2 in G Major 1792-1794
  Dedicated to Prince Carl Lichnowsky
• Op. 1 Piano Trio No. 3 in C minor: later arranged for string quintet as Opus 104 1792-1794
  Dedicated to Prince Carl Lichnowsky
• Op. 2 Piano Sonata No. 1 in F minor: the second movement uses material from the WoO Piano Quartet 36 Number 3 1793-1795
  Dedicated to Franz Joseph Haydn
• Op. 2 Piano Sonata No. 2 in A major 1794-1795
  Dedicated to Franz Joseph Haydn
• Op. 2 Piano Sonata No. 3 in C major: the first movement uses material from the WoO 36 Piano Quartet Number 3 1794-1795
  Dedicated to Franz Joseph Haydn
• Op. 3 String Trio in E flat major: There is an incomplete arrangement for piano trio listed as Hess 47; Hess 25 may also be an older version of the finale of this trio. 1792-1796
  Dedicated to Countess Anna Margarete Browne
• Op. 4 String Quintet in E flat major: later it was the Octet Opus 103 1795
• Op. 5 Cello Sonata No. 1 in F major 1796
  Dedicated to Frederick William II of Prussia
• Op. 5 Cello Sonata No. 2 in G minor 1796
  Dedicated to Frederick William II of Prussia
• Op. 6 Piano sonata for four hands in D major 1796-1797
• Op. 7 Piano Sonata No. 4 in E flat major 1796-1797
  Dedicated to Countess Barbara von Keglevics
• Op. 8 Serenade for string trio in D major (later arranged for piano and viola as Opus 42) 1796-1797
• Op. 9 String Trio in C Minor 1797-1798
  Dedicated to Count Johann Georg Browne
• Op. 9 String Trio in D Major 1797-1798
  Dedicated to Count Johann Georg Browne
• Op. 9 String trio in G major: Hess 28 is the second trio for the scherzo 1797-1798
  Dedicated to Count Johann Georg Browne
• Op. 10 Piano Sonata No. 5 in C minor: see also WoO 52, WoO 53 and Hess 69 1795-1797
  Dedicated to Countess Anna Margarete Browne
• Op. 10 Piano Sonata No. 6 in F major 1796-1797
  Dedicated to Countess Anna Margarete Browne
• Op. 10 Piano Sonata No. 7 in D major 1797-1798
  Dedicated to Countess Anna Margarete Browne
• Op. 11 Trio for piano, clarinet or violin and cello in B flat major: Gassenhauer 1797-1798
  Dedicated to Countess Maria Wilhelmine von Thun
• Op. 12 Violin Sonata No. 1 in D major 1797-1798
  Dedicated to Antonio Salieri
• Op. 12 Violin Sonata No. 2 in A major 1797-1798
  Dedicated to Antonio Salieri
• Op. 12 Violin Sonata No. 3 in E flat major 1797-1798
  Dedicated to Antonio Salieri
• Op. 13 Piano Sonata No. 8 in C minor: Pathétique 1797-1798
  Dedicated to Prince Carl Lichnowsky
• Op. 14 Piano Sonata No. 9 in E major: Also arranged for Hess String Quartet 34 1798-1799
  Dedicated to Baroness Josephine von Braun
• Op. 14 Piano Sonata No. 10 in G major 1799
  Dedicated to Baroness Josephine von Braun
• Op. 15 Piano Concerto No. 1 in C Major 1795-1800
  Dedicated to Princess Barbara Odescalchi (née Keglevics)
• Op. 16 Piano Quartet in E flat major 1796-1797
  Dedicated to Prince Joseph Johann zu Schwarzenberg
  Also arranged for piano, oboe, clarinet, horn and bassoon, Biamonti 130
• Op. 16 Quintet for piano, oboe, clarinet, horn and bassoon in E flat major 1796-1797
  Dedicated to Prince Joseph Johann zu Schwarzenberg
  Also arranged for piano quartet, Biamonti 131
• Op. 17 Sonata for piano and horn in F major 1800
  Dedicated to Baroness Josephine von Braun
  Written with an optional cello part
• Op. 18 String Quartet No. 1 in F major: Hess 32 is an earlier version 1798-1800
  Dedicated to Prince Ferdinand Lobkowitz
  Second movement: Tomb scene in Romeo and Juliet
• Op. 18 String Quartet No. 2 in G Major: Bow Quartet 1798-1800
  Dedicated to Prince Ferdinand Lobkowitz
• Op. 18 String Quartet No. 3 in D Major 1798-1800
  Dedicated to Prince Ferdinand Lobkowitz
  The earliest of the op. 18
• Op. 18 String Quartet No. 4 in C minor 1798-1800
  Dedicated to Prince Ferdinand Lobkowitz
• Op. 18 String Quartet No. 5 in A Major 1798-1800
  Dedicated to Prince Ferdinand Lobkowitz
• Op. 18 String Quartet No. 6 in B flat major 1798-1800
  Dedicated to Prince Ferdinand Lobkowitz
• Op. 19 Piano Concerto No. 2 in B flat major 1788-1801
  Dedicated to Carl Nicklas Edler von Nickelsberg
• Op. 20 Septet in E flat major for clarinet, bassoon, French horn, violin, viola, cello and double bass. Also arranged for piano trio Opus 38. 1799
  Dedicated to Empress Maria Theresa of Austria
  The Menuetto theme was taken from the Piano Sonata in G Opus 49 No. 2
• Op. 21 Symphony No. 1 in C major 1799-1800
  Dedicated to Baron Gottfried van Swieten
• Op. 22 Piano Sonata No. 11 in B flat major 1800
  Dedicated to Count Johann Georg Browne
• Op. 23 Violin Sonata No. 4 in A minor 1800-1801
  Dedicated to Count Moritz von Fries
• Op. 24 Violin Sonata No. 5 in F major: Frühlings-Sonate ("Spring") 1800-1801
  Dedicated to Count Moritz von Fries
• Op. 25 Serenade for flute, violin and viola in D major (later transcribed for flute and piano: Opus 41) 1801
• Op. 26 Piano Sonata No. 12 in A flat major: Funeral March; the third movement, arranged for Leonore Prohaska WoO 96 1800-1801
  Dedicated to Prince Carl Lichnowsky
• Op. 27 Piano Sonata No. 14 in C-sharp minor: Mondschein-Sonate ("Moonlight") 1800-1801
  Dedicated to Countess Giulietta Guicciardi
  The name was given by Ludwig Rellstab
• Op. 27 Piano Sonata No. 13 in E flat major: Sonata quasi a fantasy 1801
  Dedicated to Princess von Leichtenstein
• Op. 28 Piano Sonata No. 15 in D major: Pastorale 1801
  Dedicated to Joseph Sonnenfels
• Op. 29 String quintet in C major 1801
  Dedicated to Count Moritz von Fries
• Op. 30 Violin Sonata No. 6 in A major 1801-1802
  Dedicated to Tsar Alexander I of Russia
• Op. 30 Violin Sonata No. 7 in C minor 1801-1802
  Dedicated to Tsar Alexander I of Russia
• Op. 30 Violin Sonata No. 8 in G major 1801-1802
  Dedicated to Tsar Alexander I of Russia
• Op. 31 Piano Sonata No. 16 in G major 1802
• Op. 31 Piano Sonata No. 17 in D minor: Der Sturm ("The Tempest") 1802
• Op. 31 Piano Sonata No. 18 in E flat major 1802
• Op. 32 Song: An die Hoffnung ("To Hope") (first arrangement; second is Opus 94 1804-1805
  Dedicated to Countess Josephine Deym (née Brunsvik)
  Text: from the work Urania by August Tiedge
• Op. 33 Bagatelle for piano in A flat major: Presto; number 7 of 7 trifles 1801-1802
• Op. 33 Bagatelle for piano in A major: Andante; number 4 of 7 trifles 1801-1802
• Op. 33 Bagatelle for piano in C major: Allegro ma non troppo; number 5 of 7 trifles 1801-1802
• Op. 33 Bagatelle for piano in C major: Scherzo; number 2 of 7 trifles 1801-1802
• Op. 33 Bagatelle for piano in D major: Allegretto quasi andante; number 6 of 7 trifles 1801-1802
• Op. 33 Bagatelle for piano in E flat major: Andante grazioso quasi allegretto; number 1 of 7 trifles 1801-1802
• Op. 33 Bagatelle for piano in F major: Allegretto; number 3 of 7 trifles 1801-1802
• Op. 34 6 piano variations in F major on an original theme 1802
  Dedicated to Princess Barbara Odescalchi (née Keglevics)
• Op. 35 15 variations with piano fugue in E flat major: Eroica-Variationen 1802
  Dedicated to Prince Carl Lichnowsky
  On a theme from the ballet Die Geschöpfe des Prometheus ("The Creatures of Prometheus"), op. 43
• Op. 36 Symphony No. 2 in D major 1801-1802
  Dedicated to Prince Carl Lichnowsky
  Also arranged for piano trio in D major
• Op. 37 Piano Concerto No. 3 in C minor 1800-1803
  Dedicated to Prince Louis Ferdinand of Prussia
  Also see Gardi #5
• Op. 38 Trio for piano, clarinet or violin, and cello in E flat major 1802-1803
  Dedicated to Johann A. Schmidt
  Taken from the Opus 20 septet
• Op. 39 Prelude for piano or organ in C major through the 12 major keys 1789
• Op. 39 Prelude for piano or organ in C major: through the 12 major keys 1789
• Op. 40 Violin Romance No. 1 in G major 1800-1802
• Op. 41 Serenade for piano and flute in D major: taken from the Serenade Op. 25; arranged by Franz Xaver Kleinheinz 1803
  Beethoven corrected and approved the arrangement
• Op. 42 Nocturne for piano and viola in D major: taken from Opus 8; arranged by Franz Xaver Kleinheinz 1803-1804
  Beethoven corrected and approved the arrangement
• Op. 43 Music for ballet and overture: Die Geschöpfe des Prometheus (The Creatures of Prometheus); also arranged for piano as Hess 90 1800-1801
  Dedicated to Princess Christiane Lichnowsky (née Thun)
  Choreography and libretto of the ballet by Salvatore Viganò
• Op. 44 14 Variations for piano trio in E flat major: on a theme from Dittersdorf's Das rote Käppchen ("Little Red Riding Hood") 1792
  The sketch is from 1792; date of composition is unknown
• Op. 45 Four-hand piano march in C major 1803
  Dedicated to Princess Maria Esterházy
• Op. 45 Four-hand piano march in D major 1803
  Dedicated to Princess Maria Esterházy
• Op. 45 Four-hand piano march in E flat major 1803
  Dedicated to Princess Maria Esterházy
• Op. 46 Song: Adelaide 1794-1795
  Dedicated to Friedrich von Matthisson
  Matthison Poem
• Op. 47 Violin Sonata No. 9 in A major: Kreutzer-Sonate 1802-1803
  Dedicated to Rodolphe Kreutzer
  It had originally been dedicated to George Bridgetower
• Op. 48 Song: Bitten ("Prayer") 1801-1802
  Dedicated to Count Johann Georg Browne
  Text: Christian Fürchtegott Gellert
• Op. 48 Song: Bußlied ("Song of Repentance") 1801-1802
  Dedicated to Count Johann Georg Browne
  Text: Christian Fürchtegott Gellert
• Op. 48 Song: Die Ehre Gottes aus der Natur ("The glory of God in nature") 1801-1802
  Dedicated to Count Johann Georg Browne
  Text: Christian Fürchtegott Gellert
• Op. 48 Song: Die Liebe des Nächsten ("Love of Neighbor") 1801-1802
  Dedicated to Count Johann Georg Browne
  Text: Christian Fürchtegott Gellert
• Op. 48 Song: Gottes Macht und Vorsehung ("Power and Providence of God") 1801-1802
  Dedicated to Count Johann Georg Browne
  Text: Christian Fürchtegott Gellert
• Op. 48 Song: Vom Tode (“Of Death”) 1801-1802
  Dedicated to Count Johann Georg Browne
  Text: Christian Fürchtegott Gellert
• Op. 49 Piano Sonata No. 20 in G major (sonatina) 1795-1796
• Op. 49 Piano Sonata No. 19 in G minor (sonatina) 1797
• Op. 50 Violin Romanza No. 2 in F major 1798
• Op. 51 Rondo for piano in C major 1796-1797
• Op. 51 Rondo for piano in G major 1798
  Dedicated to Countess Henriette Lichnowsky
• Op. 52 Song: Das Blümchen Wunderhold 1785-1793
  Text: Bürger. Most of the songs were written in the 1790s, but were probably revised before publication.
• Op. 52 Song: Das Liedchen von der Ruhe ("The Little Song of Rest") 1785-1793
  Text: Ueltzen (1759-1808). Most of the songs were written in the 1790s, but were probably revised before publication.
• Op. 52 Song: Die Liebe ("Love") 1785-1793
  Text: Lessing. Most of the songs were written in the 1790s, but were probably revised before publication.
• Op. 52 Song: Feuerfarb' 1785-1793
  Text: Sophie Mereau. Most of the songs were written in the 1790s, but were probably revised before publication.
• Op. 52 Song: Maigesang (Mailied) (“May Song”) 1785-1793
  Text: Goethe. Most of the songs were written in the 1790s, but were probably revised before publication.
• Op. 52 Song: Marmotte 1785-1793
  Text: Goethe. Most of the songs were written in the 1790s, but were probably revised before publication.
• Op. 52 Song: Mollys Abschied 1785-1793
  Text: Bürger. Most of the songs were written in the 1790s, but were probably revised before publication.
• Op. 52 Song: Urians Reise um die Welt 1785-1793
  Text: Matthias Claudius. Most of the songs were written in the 1790s, but were probably revised before publication.
• Op. 53 Piano Sonata No. 21 in C major: Waldstein-Sonate, also known as Aurora. The Andante favori WoO 57 was originally written to be the slow movement of this sonata 1803-1804
  Dedicated to Count Ferdinand von Waldstein.
• Op. 54 Piano Sonata No. 22 in F major 1804
• Op. 55 Symphony No. 3 in E flat major: Eroica ("Heroic") 1803
  Dedicated to Prince Ferdinand Lobkowitz
  It was originally dedicated to Napoleon Bonaparte. The finale uses the theme from Die Geschöpfe des Prometheus (Opus 43)
• Op. 56 Concerto for piano, violin, cello and orchestra in C major Tripelkonzert ("Triple Concerto") 1804-1805
  Dedicated to Archduke Rudolph of Austria
• Op. 57 Piano Sonata No. 23 in F minor: Appassionata 1804-1805
  Dedicated to Count Franz Anatol Brunswik
• Op. 58 Piano Concerto No. 4 in G Major 1804-1807
  Dedicated to Archduke Rudolph of Austria
• Op. 59 String Quartet No. 7 in F Major: Rasumowsky-Quartett No. 1 1806
  Dedicated to Count Andreas Kirillovich Razumovsky
• Op. 59 String Quartet No. 8 in E minor: Rasumowsky-Quartett No. 2 1806
  Dedicated to Count Andreas Kirillovich Razumovsky
• Op. 59 String Quartet No. 9 in C Major: Rasumowsky-Quartett No. 3 1806
  Dedicated to Count Andreas Kirillovich Razumovsky
• Op. 60 Symphony No. 4 in B flat major 1806
  Dedicated to Count Franz von Oppersdorff
• Op. 61 Violin Concerto in D major: also arranged as a piano concerto (same Opus) 1806
  Dedicated to Stephan von Breuning
• Op. 61 Piano concerto in D major: adaptation of the violin concerto also op. 61 1807
  Dedicated to Julie von Breuning (née Vering), wife of Stephan von Breuning
  New cadenzas for the first and third movements
• Op. 62 Coriolanus Overture 1807
  Dedicated to Heinrich Joseph von Collin
  Text by H.J. Collin
• Op. 63 Piano Trio in E flat major: arrangement of the Opus 4 string quintet, performed by someone possibly without knowledge of Beethoven
• Op. 64 Sonata for piano and cello in E flat major: arrangement of the string trio Opus 3; arrangement possibly unknown to Beethoven
• Op. 65 Scene and Aria: Ah perfido! for soprano with orchestra 1796
  Text: Pietro Metastasio (Scene); anonymous (Aria)
• Op. 66 12 variations for piano and cello in F major on Ein Mädchen oder Weibchen from Wolfgang Amadeus Mozart's opera Die Zauberflöte 1796
• Op. 67 Symphony No. 5 in C minor 1803-1808
  Dedicated to Prince Lobkowitz and Count Rasumovsky
• Op. 68 Symphony No. 6 in F major: Pastorale ("Pastoral") 1807-1808
  Dedicated to Prince Lobkowitz and Count Rasumovsky
• Op. 69 Cello Sonata No. 3 in A major 1807-1808
  Dedicated to Baron Ignaz von Gleichenstein
  In the dedication, Beethoven wrote in Latin the words: Inter lacrimas et luctum ("Between tears and lamentations"), alluding to war.1​
• Op. 70 Piano Trio in D Major: Geister-Trio ("Phantom Trio") 1808
  Dedicated to Countess Anna Marie Erdödy
• Op. 70 Piano trio in E flat major 1808
  Dedicated to Countess Anna Marie Erdödy
• Op. 71 Sextet for clarinets, horns and bassoons in E flat major 1792-1796
• Op. 72 Opera: Leonore, oder Der Triumph der ehelichen Liebe ("Leonore, or: The Triumph of Marital Love"); 1805 version of Fidelio with the Leonore II overture 1804-1805
  Libretto: Joseph Sonnleithner, based on the work of Jean Nicolas Bouilly
• Op. 72 Overture: Leonore II; written for Leonore's 1805 version 1804-1805
• Op. 72 Opera: Leonore, oder Der Triumph der ehelichen Liebe ("Leonore, or: The Triumph of Marital Love"); 1806 version of Fidelio with the Leonore III overture 1805-1806
  Libretto: Joseph Sonnleithner, edited by Stephan von Breuning
• Op. 72 Overture: Leonore III, also called Opus 72a; written for Leonore's 1806 version 1805-1806
• Op. 72 Opera: Fidelio, opera in two acts, with the overture Fidelio 1814
  Libretto: Joseph Sonnleithner and Georg Friedrich Treitschke
• Op. 72 Overture: Fidelio, also called Opus 72b 1814
• Op. 73 Piano Concerto No. 5 in E flat major: Emperor 1808-1809
  Dedicated to Archduke Rudolph of Austria
• Op. 74 String Quartet No. 10 in E flat major: Harfenquartett ("Harp Quartet") 1809
  Dedicated to Prince Ferdinand Lobkowitz
• Op. 75 Song: An den fernen Geliebten 1809
  Dedicated to Princess Caroline Kinsky
  Text: Christian Ludwig Reissig
• Op. 75 Song: Aus Goethes Faust (Flea Song, by Mephistopheles) 1809
  Dedicated to Princess Caroline Kinsky
  Text: Goethe; started c. 1792-1793
• Op. 75 Song: Der Zufriedene ("The Satisfied Man") 1809
  Dedicated to Princess Caroline Kinsky
  Text: Christian Ludwig Reissig
• Op. 75 Song: Gretels Warnung 1809
  Dedicated to Princess Caroline Kinsky
  Text: G.A. von Halem
• Op. 75 Song: Mignon 1809
  Dedicated to Princess Caroline Kinsky
  Text: Goethe
• Op. 75 Song: Neue Liebe, neues Leben ("New love, new life") (2nd version). 1809
  Dedicated to Princess Caroline Kinsky
  Text: Goethe. The first version of this song is WoO 127
• Op. 76 6 variations for piano in D major 1809
  Dedicated to Franz Oliva
  Variations on an original theme, used again in The Ruins of Athens (Opus 113)
• Op. 77 Fantasy for piano in G minor 1809
  Dedicated to Count Franz Anatol Brunsvik
• Op. 78 Piano Sonata No. 24 in F sharp major 1809
  Dedicated to Therese Brunsvik
• Op. 79 Piano Sonata No. 25 in G major 1809
• Op. 80 Fantasy for piano, choir and orchestra in C minor: Chorfantasie ("Choral Fantasy") 1808-1809
  Dedicated to King Maximilian Joseph of Bavaria
  Text: Christoph Kuffner, or, according to some, Beethoven himself
• Op. 81 Sextet for horns, violins, viola and cello in E flat major 1795
  Also called Opus 81b
• Op. 81 Piano Sonata No. 26 in E flat major: Les Adieux (Das Lebewohl, Abwesenheit und Wiedersehen) 1809-1810
  Dedicated to Archduke Rudolph of Austria
  Also called Opus 81a
• Op. 82 Arietta assai serious: L'amante impatiente: «Liebesungeduld» (German version), «Che fa il mio bene?» (in Italian) 1809-1810
  Text: Pietro Metastasio
• Op. 82 Arietta buffa: L'amante impatiente: “Stille Frage” (German version), “Che fa il mio bene?” (in Italian) 1809-1810
  Text: Pietro Metastasio
• Op. 82 Arietta: Hoffnung (German version) or Dimmi, ben mio, che m'ami (in Italian) 1809-1810
  Text: anonymous. Op. 82 is known collectively as Vier Arietten und ein Duett.
• Op. 82 Arietta: Liebes-Klage (German version), T'intendo, si, mio ​​cor (in Italian) 1809-1810
  Text: Pietro Metastasio
• Op. 82 Duet: Lebensgenuß or Schnell, verblühen (German version), Odi l'aura che dolce sospira (in Italian) 1809-1810
  Text: Pietro Metastasio
• Op. 83 Song: Mit einem gemalten Band ("With a colorful ribbon") 1810
  Dedicated to Princess Caroline Kinsky
  Text: Goethe
• Op. 83 Song: Sensucht ("Longing") 1810
  Dedicated to Princess Caroline Kinsky
  Text: Goethe
• Op. 83 Song: Wonne der Wehmut ("The Joy of Melancholy") 1810
  Dedicated to Princess Caroline Kinsky
  Text: Johann Wolfgang von Goethe
• Op. 84 Incidental music for solo voices and orchestra: Egmont, tragedy by Goethe 1809-1810
  Text: Goethe
• Op. 84 Overture in F minor: Egmont, incidental music for Goethe's tragedy 1809-1810
• Op. 85 Oratorio: Christus am Ölberge ("Christ on the Mount of Olives") 1803-1804
  Written in 14 days; text by Franz Xaver Huber
• Op. 86 Mass in C major 1807
  Dedicated to Prince Ferdinand Kinsky
• Op. 87 Trio for oboes and English horn in C major 1794-1795
• Op. 88 Song: Vita felice: Beato quei che fido amor (Italian version), German version: Das Glück der Freundschaft ("The happiness of friendship") or Lebensglück ("The happiness of living") 1803
  Text: anonymous; trans. German: Ch.A. Tiedge
• Op. 89 Polonaise for piano in C major 1814
  Dedicated to Empress Elisabeth Alexiewna of Russia
• Op. 90 Piano Sonata No. 27 in E minor 1814
  Dedicated to Count Moritz Lichnowsky
• Op. 91 Wellingtons Sieg, oder die Schlacht bei Vittoria ("Wellington's Victory at the Battle of Vitoria"), also known (in English-speaking media) as Battle Symphony ("Battle Symphony") 1813
  Dedicated to Prince Regent (later King) George IV of England
  Work originally written for panharmonic, Hess 108 (second part only)
• Op. 92 Symphony No. 7 in A major 1811-1812
  Dedicated to Count Moritz von Fries
  There are also some arrangements for piano for two and four hands and two pianos, dedicated to the Empress of Russia
• Op. 93 Symphony No. 8 in F major 1812
• Op. 94 Song: An die Hoffnung ("To Hope") 1813-1815
  Text: Ch.A. Tiedge, from his work Urania.
• Op. 95 String Quartet No. 11 in F minor: Quartetto serioso 1810-1811
  Dedicated to Nikolaus Zmeskall
• Op. 96 Violin Sonata No. 10 in G major 1812
  Dedicated to Archduke Rudolph of Austria
• Op. 97 Piano Trio in B flat major: Erzherzog-Trio ("Archduke Trio") 1810-1815
  Dedicated to Archduke Rudolph of Austria
• Op. 98 Song cycle: An die ferne Geliebte ("To the Far Beloved"), No. 1: Auf dem Hügel sitz' ich, spähend 1816
  Dedicated to Prince Ferdinand Lobkowitz
  Text: Alois Jeitteles
• Op. 98 Song cycle: An die ferne Geliebte, No. 2: Wo die Bergen so blau 1816
  Dedicated to Prince Ferdinand Lobkowitz
  Text: A. Jeitteles
• Op. 98 Song cycle: An die ferne Geliebte, No. 3: Leichte Segler in den Höhen 1816
  Dedicated to Prince Ferdinand Lobkowitz
  Text: A. Jeitteles
• Op. 98 Song cycle: An die ferne Geliebte, No. 4: Diese Wolken in den Höhen 1816
  Dedicated to Prince Ferdinand Lobkowitz
  Text: A. Jeitteles
• Op. 98 Song cycle: An die ferne Geliebte, No. 5: Es kehret der Maien, es blühet die Au 1816
  Dedicated to Prince Ferdinand Lobkowitz
  Text: A. Jeitteles
• Op. 98 Song cycle: An die ferne Geliebte, No. 6: Nimm sie hin denn, diese Lieder 1816
  Dedicated to Prince Ferdinand Lobkowitz
  Text: A. Jeitteles
• Op. 99 Song: Der Mann von Wort ("The Man of His Word") 1816
  Text: Friedrich August Kleinschmidt
• Op. 100 Song: Merkenstein, duet (2nd version) 1815
  Text by Johann Baptist Rupprecht. 1st version is WoO 144
• Op. 101 Piano Sonata No. 28 in A major 1816
  Dedicated to Baroness Dorothea von Ertmann
• Op. 102 Cello Sonata No. 4 in C major 1815
  Dedicated to Countess Anna Marie Erdödy
• Op. 102 Cello Sonata No. 5 in D major 1815
  Dedicated to Countess Anna Marie Erdödy
• Op. 103 Octet for oboes, clarinets, horns and bassoons in E flat major 1792-1793
  Revised in 1796 as String Quintet Opus 4
• Op. 104 String quintet in C minor 1817
  Arrangement of Piano Trio Opus 1 No. 3, by Kaufman, corrected by Beethoven
• Op. 105 Variations for Piano and Flute or Violin, No. 1: Theme and Variations in G Major on Welsh Air The Cottage Maid 1818
  Folk song arranged: WoO 155 Number 3
• Op. 105 Variations for piano and flute or violin, No. 2: Theme and variations in C minor, on a Scottish air (Von edlem Geschlecht war Shinkin, sometimes also written Shenkin). 1818
• Op. 105 Variations for Piano and Flute or Violin, No. 4: Theme and Variations in E flat major on an Irish air (The Last Rose). 1818
  Traditional Song Arranged: Sad and Luckless was the Season, WoO 153, No. 6
• Op. 105 Variations for Piano and Flute or Violin, No. 5: Theme and Variations in E flat major on an Irish air (Chiling O'Guiry) 1818
  Traditional Song Arranged: WoO 154 No. 6
• Op. 105 Variations for Piano and Flute or Violin, No. 6: Theme and Variations in D Major: On an Irish Air (Paddy Whack). 1818
  Traditional song. arranged English Bulls; or, The Irishman in London, WoO 152 Number 12
• Op. 105 Variations for Piano and Flute or Violin, No. 3: Theme and Variations in C Major on an Austrian Air (A Schüsserl und a Reindel ist all mein Kuchelg'schirr) 1819
• Op. 106 Piano Sonata No. 29 in B flat major: Hammerklavier-Sonate 1816-1818
  Dedicated to Archduke Rudolph of Austria
  Beethoven: «Here is a sonata that will give pianists a lot to do when it is performed, fifty years from now!»[citation needed]
• Op. 107 Variations for piano and flute or violin in D major: theme and 4 variations on a Scottish air (O, Mary at thy window be) 1818
  Arrangement of the traditional song also used in Op. 108, no. 17
• Op. 107 Variations for piano and flute or violin in E flat major: theme and 4 variations on a Tyrolean air (l bin a Tiroler Bua) 1818
  An arrangement of the same traditional song is found in WoO 158a, no. 5
• Op. 107 Variations for piano and flute or violin in E flat major: theme and 5 variations on a Scottish air (Oh, Thou art the lad of my heart) 1818
  Arrangement of the traditional song also used in Op. 108, no. 11
• Op. 107 Variations for piano and flute or violin in F major: Theme and 3 variations on a Tyrolean air (A Madel, ja a Madel) 1818
  Arrangement of the traditional song also used in WoO 158a, no. 6
• Op. 107 Variations for piano and flute or violin in F major: theme and 4 variations on a Scottish air (Bonnie laddie, Highland laddie) 1818
  Arrangement of the same traditional song used in Op. 108, no. 7
• Op. 107 Variations for piano and flute or violin in F major: theme and 4 variations on an Irish air (St. Patrick's Day) 1818
  Arrangement of the traditional song also used in WoO 154 no. 4
• Op. 107 Variations for piano and flute or violin in G minor: theme and 5 variations on a Scottish air (The Highland Watch) 1818
  Arrangement of the same traditional song used in Op. 108, no. 22
• Op. 107 Variations for piano and flute or violin in A minor: theme and 6 variations on a Russian air (Schöne Minka) 1819
  Arrangement of the traditional song also used in WoO 158a, no. 16
• Op. 107 Variations for piano and flute or violin in E flat major: theme and 4 variations on a Welsh air (Merch Megan, Peggy's Daughter) 1819
  Arrangement of the traditional song also used in WoO 155, no. 11
• Op. 107 Variations for piano and flute or violin in G major: theme and 5 variations on a Russian air 1819
• Op. 108 Arrangement of the traditional Scottish song Faithfu' Johnie 1813
  Text: Anne Grant. This is the 2nd version of the song; the 1st is Hess 203
• Op. 108 Arrangement of the traditional Scottish song Again, my lyre, yet once again 1815
  Text: William Smyth
• Op. 108 Arrangement of the traditional Scottish song Bonnie laddie, Highland laddie 1815
  Text: James Hogg
• Op. 108 Arrangement of the traditional Scottish song O swiftly glides the bonny boat 1815
  Text: Joanna Baillie
• Op. 108 Arrangement of the traditional Scottish song O! thou art the side of my heart, Willy 1815
  Text: William Smyth. Variations on this air: Op. 107, no. 9
• Op. 108 Arrangement of the traditional Scottish song Sympathy 1815
  Text: William Smyth
• Op. 108 Arrangement of the traditional Scottish song The sweetest lad was Jamie 1815
  Text: William Smyth
• Op. 108 Arrangement of the traditional Scottish song: Dim, dim is my eye 1815
  Text: William Brown
• Op. 108 Arrangement of the traditional Scottish song Could this ill world have been contriv'd 1816
  Text: James Hogg
• Op. 108 Arrangement of the traditional Scottish song O, had my fate been join'd with thine 1816
  Text: Lord Byron
• Op. 108 Arrangement of the traditional Scottish song The lovely lass of Inverness 1816
  Text: Robert Burns
• Op. 108 Arrangement of the traditional Scottish song: O cruel was my father 1816
  Text: Alexander Ballantyne
• Op. 108 Traditional song arrangement: O, how can I be blithe and glad 1816
  Text: Robert Burns
• Op. 108 Arrangement of the traditional English song Come fill, fill, my good fellow! 1817
  Text: William Smyth
• Op. 108 Arrangement of the traditional Scottish song Behold, my Love 1817
  Text: Robert Burns
• Op. 108 Arrangement of the traditional Scottish song Jeanie's Distress 1817
  Text: William Smyth
• Op. 108 Arrangement of the traditional Scottish song Music, Love and Wine 1817
  Dedicated to Prince Anton Heinrich Radziwill
  Text: William Smyth. The dedication to Prince Radziwill extends to all the pieces of Op. 108, entitled 25 schottische Lieder mit Begleitung von Pianoforte, Violine und Violoncello ("25 Scottish songs with piano, violin and cello accompaniment").
• Op. 108 Arrangement of the traditional Scottish song O Mary, at thy window be 1817
  Text: Robert Burns
• Op. 108 Arrangement of the traditional Scottish song O sweet were the hours 1817
  Text: William Smyth
• Op. 108 Arrangement of the traditional Scottish song Sally in our Alley 1817
  Text: Henry Carey
• Op. 108 Arrangement of the traditional Scottish song The Highland Watch 1817
  Text: James Hogg
• Op. 108 Arrangement of the traditional Scottish song: The Maid of Isla 1817
  Text: Sir Walter Scott
• Op. 108 Arrangement of the traditional Scottish song Enchantress, farewell 1818
  Text: Sir Walter Scott
• Op. 108 Arrangement of the traditional Scottish song Sunset 1818
  Text: Sir Walter Scott
• Op. 108 Arrangement of the traditional Scottish song The Shepherd's Song 1818
  Text: Joanna Baillie
• Op. 109 Piano Sonata No. 30 in E major 1820
  Dedicated to Maximiliane Brentano
• Op. 110 Piano Sonata No. 31 in A flat major 1821-1822
• Op. 111 Piano Sonata No. 32 in C minor 1821-1822
  Dedicated to Archduke Rudolph of Austria
  The English edition was dedicated to Antonie Brentano
• Op. 112 Cantata for mixed choir with orchestral accompaniment Meeresstille und glückliche Fahrt 1814-1815
  Dedicated to Johann Wolfgang von Goethe
  Text: Goethe; Beethoven sent the work to Goethe in 1822
• Op. 113 Music for Kotzebue's Die Ruinen von Athen for orchestra, choir and solo voices 1811
  Music written for Kotzebue's piece for the opening party of the Pesth theater in 1812.
• Op. 113 Overture: Die Ruinen von Athen ("The Ruins of Athens") 1811
  Music written for the piece by August von Kotzebue on the occasion of a celebration. Separate publication of the overture of the work listed below.
• Op. 114 March for orchestra and choir for Die Weihe des Hauses by Carl Meisl 1822
  Adaptation of No. 6 of Die Ruinen von Athen, see Opus 113
• Op. 115 Overture in C major: Zur Namensfeier 1814-1815
  Dedicated to Prince Anton Heinrich Radziwill
• Op. 116 Trio for solo voices and orchestra: Tremate, empi, tremate; for soprano, tenor, and bass with orchestra 1802-1814
  Text: Bettoni (after Beethoven). Authorship is doubtful; some attribute the text to Giovanni de Gamerra
• Op. 117 Music for Kotzebue König's work Stephan oder Ungarns erster Wohhtäter ("King Stephen, or the First Benefactor of Hungary"), for orchestra, choir and solo voices 1811
  Text: Kotzebue
• Op. 117 Overture in E flat major: König Stephan 1811
  Separate edition (1826) of the overture to the work listed below
• Op. 118 Small cantata for solo voices and instruments: Elegischer Gesang ("Elegiac Song); for 4 voices, with string quintet or piano 1814
  Dedicated to Baron Johann Baptist von Pasqualati
  Text: Ignaz Franz von Castelli? Or perhaps Pasqualati himself. Work written to commemorate the third anniversary of the death of the wife of the baron, an appreciated friend of Beethoven
• Op. 119 Bagatelle for piano in A major: Allegramente 1820-1821
• Op. 119 Bagatelle for piano in A major: Vivace moderato 1820-1821
• Op. 119 Bagatelle for piano in B flat major: Andante, ma non troppo 1820-1821
• Op. 119 Bagatelle for piano in C major: Allegro, ma non troppo 1820-1821
• Op. 119 Bagatelle for piano in C major: Moderato cantabile 1820-1821
• Op. 119 Bagatelle for piano in A major: Andante cantabile 1820-1822
  See comment to Op. 119, no. 1
• Op. 119 Bagatelle for piano in C major: Andante con moto 1820-1822
  See comment to Op. 119, no. 1
• Op. 119 Bagatelle for piano in C minor: Risoluto 1820-1822
  See comment to Op. 119, no. 1
• Op. 119 Bagatelle for piano in D major: A l'Allemande 1820-1822
  See comment to Op. 119, no. 1
• Op. 119 Bagatelle for piano in G major: Andante-Allegretto 1820-1822
• Op. 119 Bagatelle for piano in G minor: Allegretto 1820-1822
  The sketch of some pieces of op. 119 dates back to 1800-1804 or before.2​
• Op. 120 33 Variations for piano in C major on a waltz by Anton Diabelli 1819-1823
  Dedicated to Antonie Brentano
• Op. 121 10 Variations for piano, violin and cello trio in G major, on "Ich bin der Schneider Kakadu" by Wenzel Müller 1803-1816
  Known as Opus 121a
• Op. 121 Opferlied song, for soloist, choir and orchestra 1822-1824
  Text by Friedrich von Matthison. Work known as Opus 121b. There are two other versions of: 1822 and 1824, with different scores; in total, five arrangements over thirty years. See also WoO 126 and Hess 91
• Op. 122 Song: Bundeslied for two solo voices, choir and wind instruments 1822-1824
  Text: Goethe. Hess 92 is a version accompanied by piano
• Op. 123 Missa Solemnis in D major 1819-1823
  Dedicated to Archduke Rudolph of Austria
• Op. 124 Overture in C major: Die Weihe des Hauses ("The Consecration of the House") 1822
  Dedicated to Prince Nikolaus Borissovich Galitzin
• Op. 125 Symphony No. 9 in D minor: Choral ("Choral") 1817-1824
  Dedicated to Frederick William III of Prussia
  Text (IV movement): An die Freude, by Friedrich Schiller
• Op. 126 Piano Bagatelle No. 1 in G major: Andante con moto 1824
  Dedicated to Nikolaus Johann van Beethoven
  Op. 126: Six Bagatelles for Piano
• Op. 126 Piano Bagatelle No. 2 in G minor: Allegro 1824
• Op. 126 Piano Bagatelle No. 3 in E flat major: Andante 1824
• Op. 126 Piano Bagatelle No. 4 in B minor: Presto 1824
• Op. 126 Piano Bagatelle No. 5 in G major: Quasi allegretto 1824
• Op. 126 Piano Bagatelle No. 6 in E flat major: Presto-andante 1824
• Op. 127 String Quartet No. 12 in E flat major 1822-1825
  Dedicated to Prince Nikolaus Borissovich Galitzin
• Op. 128 Arietta: Der Kuß ("The Kiss") 1798-1822
  Text: Christian Felix Weiße.
• Op. 129 Rondo a capriccio for piano in G major: Die Wut über den velaren Groschen ("Rage at having lost a coin") 1795
  Completed by an unknown author, probably Anton Diabelli
• Op. 130 String Quartet No. 13 in B flat major. 1825-1826
  Dedicated to Prince Nikolaus Borissovich Galitzin
  Quartet originally written with the Grosse Fugue (opus 133) as the finale
• Op. 130 String Quartet No. 13 in B-flat Major with Alternate Ending 1825-1826
  Dedicated to Prince Nikolaus Borissovich Galitzin
  This finale was the last work composed by Beethoven before he died.
• Op. 131 String Quartet No. 14 in C-Sharp Minor 1825-1826
  Dedicated to Baron Joseph von Stutterheim
• Op. 132 String Quartet No. 15 in A minor 1823-1825
  Dedicated to Prince Nikolaus Borissovich Galitzin
  The III mov. It is described in Beethoven's autograph as "Song of gratitude to the divinity of a convalescent, in Lydian mode."3
• Op. 133 Fugue for String Quartet in B flat major: Große Fuge ("Great Fugue") 1825-1826
  Dedicated to Archduke Rudolph of Austria
  Originally composed as a finale of Op. 130, later separated as an independent work
• Op. 134 Piano fugue for four hands 1826
  Dedicated to Archduke Rudolph of Austria
  Version of Opus 133
• Op. 135 String Quartet No. 16 in F major 1826
  Dedicated to Johann Nepomuk Wolfmayer
  Motto of the IV movement: «Der schwer gefaßte Entschluß. Muß es sein? – It is muß sein!» ("The decision made with difficulty. Does it have to be? It has to be!").4​
• Op. 136 Cantata for four solo voices, choir and orchestra: Der glorreiche Augenblick ("The Glorious Moment") 1814
  Text: Aloys Weissenbach
• Op. 137 Fugue for string quintet in D major 1817
• Op. 138 Overture I in C major for the opera Leonore 1807
• Grenadiermarsch march for musical clock, in F major (1798, adaptation of WoO 29) H 107
• Wellington's Victory, piece for panharmonic (1813; original version of the second part of Opus 91) H 108
• Romanza No. 3 for violin and orchestra (lost) H 111816
• Vesta's Feuer (1803; unfinished opera, to a libretto by Emanuel Schikaneder) H 115
• Music for Die Weihe des Hauses (1822, variants of Opus 113) H 118
• Concerto for oboe and orchestra in F major (lost; 1792-1793) H 121792-1793
• Romanza in E minor for piano, flute, bassoon and orchestra (fragment, 1786) H 131786
• Austrian folk song Das liebe Kätzchen (1820) H 1331820
• Austrian folk song Der Knabe auf dem Berge (1820) H 1341820
• Song "Ich wiege dich in meinem Arm" (1795; lost) H 1371795
• Song "Minnesold von Burger, in Tönen an Amenda ausbezahlt" (1798-1799; lost) H 139
• Song "An die Freude" (1793-1799; about Schiller's poem; lost work, although two brief sketches remain) H 143
• Piano Concerto No. 6 in D major (incomplet) H 151814-1815
• Popular songs of diverse origin H 152–207
• Quintet for oboe, three horns and bassoon in E flat major (fragment) H 191793-1796
• Italian part songs H 208–232
• Counterpoint exercises H 233–246
• Four canons H 274–277
• Movement in A flat major for string trio (1797; 2nd trio for the scherzo from Op. 9, no. 1) H 281797
• Prelude and fugue for two violins and cello in E minor H 291794-1795
• Adagio for three horns in F major H 2971815
• Prelude and fugue for string quartet, in F major H 301794-1795
• Two canons H 300 - 3011819-1820
• Prelude and fugue for string quartet, in C major H 311794-1795
• String Quartet in F major (1799, first version of Opus 18 No. 1). H 321799
• Minuet for string quartet in A flat major H 331790-1792
• String quartet in F major (1801-1802, adaptation of piano sonata no. 9, from Opus 14 no. 1). H 34
• Fugue for string quartet in B minor (fragment, 1817, adaptation of fugue No. 24 from the first book of Bach's The Well-Tempered Clavier). H 35
• Fugue for string quartet (1798, adaptation of Handel's Solomon Overture) H 36
• Fugue for String Quintet in B minor (1801-1802, adaptation of Fugue No. 24 from the first book of Bach's The Well-Tempered Clavier) H 38
• String Quintet in F major (lost work; its existence is known from posthumous writings) H 39
• Movement from a string quintet in D minor (1817, unfinished) H 401817
• Sonata for piano and violin in A major (1790-1792, fragments) H 46
• Allegretto for piano trio in E flat major (1790-1792) H 48
• Fugue for three voices for piano in C major (1794-1795) H 64
• Small piano concerto finale in C major (1820-1821, adaptation for solo piano of the piano concerto No. 3, Opus 37) H 65
• Allegretto in C minor (arr. WoO 53) H 66
• Ländler for piano in C minor (1803) H 681803
• Allegretto for piano in C minor H 691794
• Grenadiermarsch piano march (1797-1798; piano adaptation of the march for six wind instruments WoO 29) H 871797-1798
• Piano minuet in A flat major (1790-1792, piano adaptation of the Hess minuet for string quartet 33) H 881790-1792
• Ballet music for piano Ritterballet (1791; piano arrangement of WoO 1) H 891791
• Ballet music for piano The Creatures of Prometheus (1801; piano arrangement of Opus 43) H 90
• Opferlied Song (1824-1825; arrangement for piano, solo voice and chorus, from Opus 121b) H 91
• Bundeslied Song (1824-1825; adaptation of Opus 122 for two voices, choir and piano) H 92
• Song in G major "Freudvoll und leidvoll" (1810; piano accompaniment for Egmont's song from Opus 84) H 93
• Piano piece: Wellingtons Sieg, oder die Schlacht bei Vitoria (1816; piano arrangement of Opus 91 Wellington's Victory) H 97
• Piano march in F major Yorck'scher Marsch (1809-1810, arrangement of WoO 18) H 99
• Musik zu einem Ritterballet ("Music for a Gentleman's Ballet"). WoO 11790-1791
  It was originally thought that Count Waldstein had written it. The piano arrangement is Hess 89
• Minuet for Orchestra No. 1, in C major WoO 101795
  The joint title of WoO 10 is Sechs Menuette für Orchester. However, only a piano version survives.
• Minuet for Orchestra No. 2, in G major WoO 101795
  See WoO 10, #1
• Minuet for Orchestra No. 3, in E flat major WoO 101795
  See WoO 10, #1
• Minuet for Orchestra No. 4, in B flat major WoO 101795
  See WoO 10, #1
• Minuet for Orchestra No. 5, in D major WoO 101795
  See WoO 10, #1
• Minuet for Orchestra No. 6, in C major WoO 101795
  See WoO 10, #1
• Musical joke for three solo voices and choir, in G major, Lob auf den Dicken WoO 1001801
  Dedicated to Ignaz Schuppanzigh
  Text: Beethoven. The poem (which begins: Schuppanzigh ist ein Lump, Lump, Lump..., "Schuppanzigh is a rascal, rascal, rascal...") is a joke directed at his friend the violinist Ignaz Schuppanzigh.
• Musical joke in E flat major Graf, Graf, liebster Graf... WoO 1011802
  Dedicated to Nikolaus Zmeskall von Domanovecz
  Text: Beethoven. The score was originally included in a letter (autumn 1802) to his friend N. Zmeskall; the text rhymes Graf ("count") with Schaf ("sheep").
• Song: Abschiedsgesang ("Farewell Song") for tenor and two basses a cappella WoO 1021814
  Dedicated to Leopold Weiss
  Text: Joseph von Seyfried
• Small cantata for four solo voices (soprano, two tenors and bass) with piano accompaniment in B flat major: A lieto brindisi WoO 1031814
  Dedicated to Giovanni Malfatti
  Text: Clemente Bondi. Written for the birthday of the doctor Giovanni Malfatti.
• Song “Gesang der Mönche” (“Song of the Monks”) from Schiller Wilhelm Tell, for two tenors and bass a cappella WoO 1041817
  Text: from William Tell by Friedrich von Schiller
• Hochzeitslied Song ("Wedding Song") for tenor, choir and piano WoO 1051819
  Dedicated to Anna Giannatasio del Rio
  Text: Anton Joseph Stein. Song written for the wedding of Leopold Schmerling and Anna Giannatasio del Río. There is a version in C major and another in A major; unison version of Hess 124.
• Cantata Lobkowitz-Kantate for soprano, choir and piano WoO 1061823
  Dedicated to Prince Ferdinand Lobkowitz
  Text: Beethoven; written for Prince Lobkowitz's birthday.
• Song: Schilderung eines Mädchens WoO 1071782
  Text: unknown author
• Song in A major: An einen Säugling WoO 1081783
  Text: Johann von Döhring
• Song in C major: Trinklied (beim Abschied zu singen) (“Drinking song, to sing goodbye”) WoO 1091791-1792
  Text: unknown author
• Sieben ländlerische Tänze ("Seven Tyrolean Dances"), in D major, presumably for two violins and cello WoO 111799
  Preserved only in piano version
• Song in F minor Elegie auf den Tod eines Pudels ("Elegy for the Death of a Spaniel") WoO 1101790
  Text: unknown author
• Song in G major: Punschlied, for unison choir WoO 1111791-1792
  Text: unknown author
• Song in G major: An Laura WoO 1121792
  Text: Friedrich von Matthisson
• Song in E major: Klage ("Lament") WoO 1131790
  Text: Ludwig Hölty
• Song in E major: Ein Selbstgespräch ("Monologue") WoO 1141793
  Text: Johann Wilhelm Ludwig Gleim
• Song in D major: An Minna WoO 1151792
  Text: Author unknown
• Song in C major: Que le temps me dura WoO 1161793
  Text: Jean-Jacques Rousseau. There are two versions of the score, both incomplete
• Song with unison chorus, in C major: Der freie Mann ("The Free Man") WoO 1171792-1794
  Text: Gottlieb Konrad Pfeffel
• Songs Seufzer eines Ungeliebten and Gegenliebe WoO 1181794-1795
  Text: Gottfried August Bürger. The Gegenliebe melody was later used in the choral fantasy Opus 80
• Song in G major: O care selve, with unison chorus. WoO 1191794-1795
  Text by Pietro Metastasio, also used in WoO 99, #8
• Twelve minuets for orchestra WoO 121799
  Dubious authorship. The work was written by Beethoven's brother Karl, possibly with the help of Ludwig.
• Song Man strebt, die Flamme zu verhehlen in F major WoO 1201800-1802
  Dedicated to Johanna Franul von Weissenthurn
  Text: unknown author
• Song Abschiedsgesang an Wiens Bürger in G major WoO 1211796
  Dedicated to Major (Oberstwachtmeister) von Kövesdy
  Text: Josef von Friedelberg
• Song Kriegslied der Osterreicher, in C major, with unison chorus WoO 1221797
  Text: Josef von Friedelberg
• Song Zärtliche Liebe ("Tender Love") in G major WoO 1231795
  Text: Karl Friedrich Herrosee
• Song La partenza (Der Abschied), in A major WoO 1241795
  Text: Pietro Metastasio
• Song La tiranna in E flat major WoO 1251798-1799
  Text: unknown author; Beethoven used William Wennington's English translation
• Song Opferlied ("Song of Offering") in E major WoO 1261794-1795
  Text: Friedrich von Matthisson. The piece is an early version of Opus 121b
• Song Neue Liebe, neues Leben ("New love, new life") in C major WoO 1271798-1799
  Text: Goethe. First version of the song; the second and definitive is Opus 75 no. 2
• Plaisir d'aimer song in G major WoO 1281798-1799
  Text: anonymous
• Song in F major: Der Wachtelschlag ("The song of the quail") WoO 1291803
  Dedicated to Count Johann Georg Browne
  Text: Samuel Friedrich Sauter
• German Dance for Orchestra No. 1 in D Major WoO 131792-1797
  The twelve pieces of WoO 13 bear the joint title of Twelve German Dances for Orchestra. They are preserved only in the piano version
• German Dance for Orchestra No. 10 in C Major WoO 131792-1797
  See WoO 13, #1
• German Dance for Orchestra No. 11 in A Major WoO 131792-1797
  See WoO 13, #1
• German Dance for Orchestra No. 12 in D Major WoO 131792-1797
  See WoO 13, #1
• German Dance for Orchestra No. 2 in B flat major WoO 131792-1797
  See WoO 13, #1
• German Dance for Orchestra No. 3 in G Major WoO 131792-1797
  See WoO 13, #1
• German Dance for Orchestra No. 4 in D major WoO 131792-1797
  See WoO 13, #1
• German Dance for Orchestra No. 5 in F Major WoO 131792-1797
  See WoO 13, #1
• German Dance for Orchestra No. 6 in B flat major WoO 131792-1797
  See WoO 13, #1
• German Dance for Orchestra No. 7 in D Major WoO 131792-1797
  See WoO 13, #1
• German Dance for Orchestra No. 9 in E flat major WoO 131792-1797
  See WoO 13, #1
• German Dance No. 8 for Orchestra in G Major WoO 131792-1797
  See WoO 13, #1
• Song in C minor: Gedenke mein WoO 1301804-1820
  Dedicated to Prince Nikolas Borissovich Galitzin
  Text: anonymous
• Erlkönig Recitative, for solo voices and instruments, in D minor WoO 1311794-1796
  Text: Goethe. Unfinished piece.
• Song in E flat major: Als die Geliebte sich trennen wollte, also known as Empfindungen bei Lydiens Untreue WoO 1321806
  German text by Stephan von Breuning, based on a French text by Hoffmann (it is the second "Romanza" of the operetta Le secret by Jean Pierre Solié).8​
• Arietta in A flat major: In this dark tomba WoO 1331806-1807
  Text: Giuseppe Carpani
• Sehnsucht Song in G minor: 2nd version (Poco andante) WoO 1341807-1808
  See WoO 134, #1.
• Sehnsucht Song in G minor: 3rd version (Poco adagio) WoO 1341807-1808
  See WoO 134, #1.
• Sehnsucht Song in G minor: 4th version (Assai adagio) WoO 1341807-1808
  See WoO 134, #1.
• Song Sehnsucht ("Longing") in G minor: 1st version (Andante poco agitato) WoO 1341807-1808
  Text: Goethe. WoO 134 contains four variants on the same poem. In the right margin of the first page of the manuscript, Beethoven wrote: "N.B.: I did not have time to produce a good one, so there are several attempts."9​
• Song in C minor: Die laute Klage WoO 1351814-1815
  Text: Johann Gottfried Herder
• Song in D minor: Andenken ("Memories") WoO 1361808
  Text: Friedrich von Matthisson
• Song in B flat major: Gesang aus der Ferne ("Song from afar") WoO 1371809
  Second version of the song; The first one does not have a catalog number. Text: Christian Ludwig Reissig
• Song in B flat major: Der Jüngling in der Fremde WoO 1381809
  Text: Christian Ludwig Reissig; the music was originally written for the text of WoO 137.
• Song in D major: Der Liebende ("The End of Love") WoO 1391809
  Text: Christian Ludwig Reissig
• Contradanza for Orchestra No. 1 in C Major WoO 141791-1802
  The twelve pieces of WoO 14 bear the joint title of Twelve Contradanzas for Orchestra. The piano version of no. 1-2, 4-5, 7-10, 12 is Hess 102
• Contradanza for Orchestra No. 12 in E flat major WoO 141791-1802
  See WoO 14, no. 1
• Contradanza for Orchestra No. 5 in E flat major WoO 141791-1802
  See WoO 14, no. 1
• Contradanza for Orchestra No. 8 in C Major WoO 141791-1802
  See WoO 14, no. 1
• Contradanza for Orchestra No. 3 in D major WoO 141795-1802
  See WoO 14, no. 1
• Contradanza for Orchestra No. 4 in B flat major WoO 141795-1802
  See WoO 14, no. 1
• Contradanza for orchestra No. 6 in C major WoO 141795-1802
  See WoO 14, no. 1
• Contradanza for Orchestra No. 11 in G Major WoO 141800-1802
  See WoO 14, no. 1. Theme from Die Geschöpfe des Prometheus Opus 43.
• Contradanza for Orchestra No. 7 in E flat major WoO 141800-1802
  See WoO 14, no. 1. Theme from Die Geschöpfe des Prometheus Opus 43, later used in the Eroica Opus 55
• Contradanza for Orchestra No. 10 in C Major WoO 141801-1802
  See WoO 14, no. 1
• Contradanza for Orchestra No. 2 in A major WoO 141801-1802
  See WoO 14, no. 1
• Contradanza for orchestra No. 9 in A major WoO 141801-1802
  See WoO 14, no. 1
• Song: An die Geliebte ("To the Beloved") WoO 1401811
  Text: Johann Ludwig Stoll. First version of the song.
• Song: An die Geliebte WoO 1401814
  Text: Johann Ludwig Stoll. Second version of the song.
• Song in C major: Der Gesang der Nachtigall WoO 1411813
  Text: Johann Gottfried Herder
• Song in E minor: Der Bardengeist WoO 1421813
  Text: Franz Rodolfo Hermann
• Song in E flat major: Des Kriegers Abschied WoO 1431814
  Text: Christian Ludwig Reissig
• Song in E flat major: Merkenstein WoO 1441814
  Text: Johann Baptist Rupprecht. First version of the song; the second is Opus 100.
• Song in G major: Das Geheimnis (Liebe und Wahrheit) WoO 1451815
  Text: Ignaz Heinrich Carl von Wessenberg
• Song in E major: Sehnsucht WoO 1461816
  Text: Christian Ludwig Reissig
• Song in A major: Ruf vom Berge WoO 1471816
  Text: Georg Friedrich Treitschke
• Song in F major: So oder so WoO 1481817
  Text:: Carl Lappe
• Song in D major: Resignation WoO 1491817
  Text: Count Paul von Haugwitz
• Tyrolean Dance for Two Violins and Double Bass No. 1 in D Major WoO 151802
  The six pieces of WoO 15 bear the joint title of Sechs ländlerische Tänze für zwei Violinen und Baß ("Six Tyrolean Dances for Two Violins and Bass"). There is a piano version of all six.
• Tyrolean Dance for Two Violins and Double Bass No. 2 in D Major WoO 151802
  See WoO 15, No. 1
• Tyrolean dance for two violins and double bass No. 3 in D major WoO 151802
  See WoO 15, No. 1
• Tyrolean dance for two violins and double bass No. 4 in D minor WoO 151802
  See WoO 15, No. 1
• Tyrolean dance for two violins and double bass No. 5 in D major WoO 151802
  See WoO 15, No. 1
• Tyrolean dance for two violins and double bass No. 6 in D major WoO 151802
  See WoO 15, No. 1
• Song in E major: Abendlied unter'm gestirnten Himmel ("Evening song under the starry sky") WoO 1501820
  Dedicated to Dr. Anton Braunhofer
  Text: Heinrich Goeble; It could be considered the last song completed.
• Song in G major: Der edle Mensch sei hülfreich und gut WoO 1511823
  Dedicated to Baroness Cäcilie von Eskeles
  Text: Goethe
• Arrangement of the Irish folk song Come drew we round a cheerful ring WoO 1521810
  Text: Joanna Baillie. See WoO 152, #1.
• Arrangement of the Irish folk song Dermot and Shelah WoO 1521810
  Text: T. Toms. See WoO 152, #1.
• Arrangement of the Irish folk song English Bulls, or The Irishman in London WoO 1521810
  Text: Anonymous, variations on this tune in Paddy Whack Op 105 No. 6. See WoO 152, No. 1.
• Arrangement of the Irish folk song Farewell bliss and farewell Nancy WoO 1521810
  Text: Anne Grant and Robert Burns. See WoO 152, #1.
• Arrangement of the Irish folk song Hide not thy WoO 1521810
  Text: William Smyth. See WoO 152, #1.
• Arrangement of the Irish folk song His boat comes on the sunny tide WoO 1521810
  Text: Joanna Baillie. See WoO 152, #1.
• Arrangement of the Irish folk song In vain to this desert my fate I deplore WoO 1521810
  Text: Anne Grant and Robert Burns. See WoO 152, #1.
• Arrangement of the Irish folk song Let brainspinning swains WoO 1521810
  Text: Alexander Boswell. See WoO 152, #1.
• Arrangement of the Irish folk song On the massacre of Glencoe WoO 1521810
  Text: Sir Walter Scott; original version of Hess 192. See WoO 152, no. 1.
• Arrangement of the Irish folk song Once more I hail thee WoO 1521810
  Text: Robert Burns. See WoO 152, #1.
• Arrangement of the Irish folk song Sweet power of song! WoO 1521810
  Text: Joanna Baillie. See WoO 152, #1.
• Arrangement of the Irish folk song The morning air plays on my face WoO 1521810
  Text: Joanna Baillie. See WoO 152, #1.
• Arrangement of the Irish folk song The return to Ulster WoO 1521810
  Text: Sir Walter Scott. The twenty-five pieces of WoO 152 bear the joint title of 25 Irische Lieder ("25 Irish Songs").
• Arrangement of the Irish folk song The soldier's dream WoO 1521810
  Text: Thomas Campbell. See WoO 152, #1.
• Arrangement of the Irish folk song The wand'ring gypsy WoO 1521810
  Text: Dr. Wolcot. See WoO 152, #1.
• Arrangement of the Irish folk song They bid me slight my Dermot dear WoO 1521810
  Text: William Smyth. See WoO 152, #1.
• Arrangement of the popular Irish song What shall I do to shew how much I love her? WoO 1521810
  Text: Anonymous. See WoO 152, #1.
• Arrangement of the Irish folk song From Garyone, my happy home WoO 1521812
  Text: T. Toms; original version of WoO 154 #7. See WoO 152, #1.
• Arrangement of the Irish folk song Morning a cruel turmoiler is WoO 1521812
  Text: Alexander Boswell. See WoO 152, #1.
• Arrangement of the Irish folk song Musing on the roaring ocean WoO 1521812
  Text: Robert Burns. See WoO 152, #1.
• Arrangement of the Irish folk song O harp of Erin WoO 1521812
  Text: David Thomson; original version before WoO 154, #2. See WoO 152, #1.
• Arrangement of the Irish folk song The deserter WoO 1521812
  Text: John Philpot Curran. See WoO 152, #1.
• Arrangement of the Irish folk song The Traugh welcome WoO 1521812
  Text: Anonymous. See WoO 152, #1.
• Arrangement of the Irish folk song Thou emblem of faith WoO 1521812
  Text: J.P. Curran. See WoO 152, #1.
• Arrangement of the Irish folk song Wife, children and friends WoO 1521812
  Text: William Robert Spencer. See WoO 152, #1.
• Arrangement of Irish folk song: Oh, thou hapless soldier WoO 1531810
  Text: William Smyth. See WoO 153, #1.
• Arrangement of the Irish folk song No riches from his scanty store WoO 1531810
  Text: Williams. See WoO 153, #1.
• Arrangement of the Irish folk song Since greybeards inform us that youth will decay WoO 1531810
  Text: T. Toms. See WoO 153, #1.
• Arrangement of the Irish folk song The British light dragoons, or The Plain of Badajos WoO 1531810
  Text: Sir Walter Scott. See WoO 153, #1.
• Arrangement of the Irish folk song When eve's last rays in twilight die WoO 1531810
  Text: David Thomson. The twenty pieces of WoO 153 bear the joint title of 20 Irische Lieder ("Twenty Irish Songs").
• Irish Folk Song Arrangement: Paddy O'Rafferty WoO 1531810
  Text: Alexander Boswell. See WoO 153, #1.
• Arrangement of the Irish folk song Norah of Balamagairy WoO 1531812-1813
  Text: Alexander Boswell. See WoO 153, #1.
• Arrangement of Irish folk song: No more, my Mary, I sigh for splendor WoO 1531813
  Text: William Smyth. See WoO 153, #1.
• Arrangement of Irish folk song: Thy ship must sail, my Henry dear WoO 1531813
  Text: William Smyth. See WoO 153, #1.
• Arrangement of the Irish folk song I dream'd I lay where flow'rs were springing WoO 1531813
  Text: Robert Burns; version that replaces that of Hess 194. See WoO 153, no. 1.
• Arrangement of the Irish folk song I'll praise the saints with early song WoO 1531813
  Text: William Smyth; this version replaces Hess 196. See WoO 153, no. 1.
• Arrangement of the Irish folk song O might I but my Patrick love! WoO 1531813
  Text: William Smyth. See WoO 153, #1.
• Arrangement of the Irish folk song O soothe me, my lyre WoO 1531813
  Text: William Smyth. See WoO 153, #1.
• Arrangement of the Irish folk song The kiss, dear maid, thy lip has left WoO 1531813
  Text: Lord Byron. See WoO 153, #1.
• Arrangement of the Irish folk song When far from the home of our youth we have rang'd WoO 1531813
  Text: David Thomson; Hess 195 is another version of the same song. See WoO 153, #1.
• Arrangement of the Irish folk song: 'Tis but in vain, for nothing thrives WoO 1531813
  Text: William Smyth; version replacing Hess 197. See WoO 153, no. 1.
• Irish Folk Song Arrangement: Come, Darby dear! easy, be easy WoO 1531813
  Text: William Smyth. See WoO 153, #1.
• Irish Folk Song Arrangement: Judy, lovely, matchless creature WoO 1531813
  Text: Alexander Boswell. See WoO 153, #1.
• Arrangement of Irish folk song: ‘Tis sunshine at last WoO 1531815
  Text: William Smyth. See WoO 153, #1.
• Arrangement of the Irish folk song Sad and luckless was the season WoO 1531815
  Text: William Smyth. Opus 105, No. 4 consists of variations on this melody, also known as The last rose of summer. See WoO 153, #1.
• Arrangement of Irish folk song: From Garyone, my happy home WoO 1541813
  Text: T Toms; version that replaces that of WoO 152 no. 22. See WoO 154, no. 1.
• Arrangement of Irish folk song: Put round the bright wine (air: Chiling O'Guiry) WoO 1541813
  Text: William Smyth; variations on this melody: Op 105 no. 5. See WoO 154, no. 1.
• Arrangement of Irish folk song: Save me from the grave and wise (air: Nora Creina). WoO 1541813
  Text: William Symth. See WoO 154, #1.
• Arrangement of Irish folk song: The Elfin fairies (air: Planxty Kelly). WoO 1541813
  Text: David Thomson. The twelve pieces of WoO 154 bear the joint title of 12 Irische Lieder ("Twelve Irish Songs").
• Arrangement of Irish folk song: The farewell song (air: The old woman) WoO 1541813
  Text: William Smyth. See WoO 154, #1.
• Arrangement of the Irish folk song: The soldier in a foreign land (air: The brown maid) WoO 1541813
  Text: Joanna Baillie; another version is that of Hess 199. See WoO 154, no. 1.
• Irish Folk Song Arrangement: He promis'd me at parting WoO 1541813
  Text: William Smyth. See WoO 154, #1.
• Irish Folk Song Arrangement: O harp of Erin WoO 1541813
  Text: David Thomson; version that replaces that of WoO 152 no. 25. See WoO 154, no. 1.
• Irish Folk Song Arrangement: O who, my dear Dermot (Air: Crooghan a Venee) WoO 1541813
  Text: William Smyth. See WoO 154, #1.
• Irish Folk Song Arrangement: O would I were but that sweet linnet! (air: The pretty girl milking the cows) WoO 1541813
  Text: William Smyth; version that replaces that of Hess 198. See WoO 154, no. 1.
• Irish Folk Song Arrangement: The hero may perish WoO 1541813
  Text: William Smyth; another version is WoO 156 No. 8. See WoO 154, No. 1.
• Irish Folk Song Arrangement: The pulse of an Irishman ever beats quicker WoO 1541813
  Text: Alexander Boswell. See WoO 154, #1.
• Arrangement of the Welsh folk song Cupid's Kindness WoO 1551810
  Text: William Smyth. See WoO 155, #1.
• Arrangement of the Welsh folk song Farewell, thou noisy town WoO 1551810
  Text: William Smyth. See WoO 155, #1.
• Arrangement of the Welsh folk song Helpless woman WoO 1551810
  Text: Robert Burns. See WoO 155, #1.
• Arrangement of the Welsh folk song Love without hope WoO 1551810
  Text: John Richardson. See WoO 155, #1.
• Arrangement of the Welsh folk song Ned Pugh's farewell WoO 1551810
  Text: Anne Hunter. See WoO 155, #1.
• Arrangement of the Welsh folk song O let the night my blushes hide WoO 1551810
  Text: William Smyth. See WoO 155, #1.
• Arrangement of the Welsh folk song Sweet Richard WoO 1551810
  Text: Amelia Alderson Opie. See WoO 155, #1.
• Arrangement of the Welsh folk song The cottage maid WoO 1551810
  Text: William Smyth; variations on this melody: Op 105 no. 1. See WoO 155, no. 1.
• Arrangement of the Welsh folk song The fair maid of Mona WoO 1551810
  Text: William Smyth. See WoO 155, #1.
• Arrangement of the Welsh folk song The golden robe WoO 1551810
  Text: Anne Hunter. See WoO 155, #1.
• Arrangement of the Welsh folk song The old strain WoO 1551810
  Text: William Smyth. See WoO 155, #1.
• Arrangement of the Welsh folk song The vale of Clwyd WoO 1551810
  Text: A.A. Opie. See WoO 155, #1.
• Arrangement of the Welsh folk song Three Hundred Pounds WoO 1551810
  Text: Richard Litwyd. See WoO 155, #1.
• Arrangement of the Welsh folk song To the Aeolian harp WoO 1551810
  Text: Anne Hunter. See WoO 155, #1.
• Arrangement of Welsh folk song Merch Megan, or Peggy's Daughter WoO 1551810
  Text: Anne Hunter; variations on this melody: Op 107 no. 6. See WoO 155, no. 1.
• Arrangement of Welsh folk song: Good night WoO 1551810
  Text: William Robert Spencer. See WoO 155, #1.
• Arrangement of Welsh folk song: The dairy house WoO 1551810
  Text: Anne Hunter. See WoO 155, #1.
• Arrangement of Welsh folk song: The damsels of Cardigan WoO 1551810
  Text: W. Jones. See WoO 155, #1.
• Arrangement of Welsh folk song: The dream WoO 1551810
  Text: Dafydd ap Gwillym. See WoO 155, #1.
• Arrangement of Welsh folk song: The monks of Bangor's march WoO 1551810
  Text: Sir Walter Scott. See WoO 155, #1.
• Welsh folk song arrangement: Chase of the wolf WoO 1551810
  Text: Anne Grant. The 26 pieces of WoO 155 bear the joint title of 26 Walisische Lieder ("26 Welsh Songs").
• Welsh Folk Song Arrangement: Constancy WoO 1551810
  Text: Robert Burns. See WoO 155, #1.
• Welsh folk song arrangement: Waken, lords and ladies gay WoO 1551810
  Text: Sir Walter Scott. See WoO 155, #1.
• Arrangement of Welsh folk song: To the blackbird WoO 1551813
  Text: Dafydd ap Gwillym; version that replaces Hess 206. See WoO 155, no. 1.
• Arrangement of Welsh folk song: When mortals all to rest retire WoO 1551813
  Text: William Smyth. See WoO 155, #1.
• Arrangement of Welsh folk song: The parting kiss WoO 1551815
  Text: William Smyth. See WoO 155, #1.
• Scottish Folk Song Arrangement: Highland Harry WoO 1561815
  Text: Robert Burns. See WoO 156, #1.
• Arrangement of the Scottish folk song Cease your funning, force or cunning WoO 1561817
  Text: Anonymous in the Beethoven manuscript and first editions. It is not actually a Scottish song, but a song derived from the opera The Beggar's Opera by John Gay.10 See WoO 156, no. 1.
• Arrangement of the Scottish folk song Auld lang syne WoO 1561818
  Text: Robert Burns. See WoO 156, #1.
• Arrangement of the Scottish folk song Duncan Gray WoO 1561818
  Text: Robert Burns. See WoO 156, #1.
• Arrangement of the Scottish folk song Lochnagar WoO 1561818
  Text: Lord Byron. See WoO 156, #1.
• Arrangement of the Scottish folk song The Quaker's Wife WoO 1561818
  Text: Mrs. Hunter. See WoO 156, #1.
• Arrangement of the Scottish folk song Womankind WoO 1561818
  Another version of the song is WoO 154 #10. See WoO 156, #1.
• Arrangement of the Scottish folk song Ye shepherds of this pleasant vale WoO 1561818
  Text: William Hamilton (1704-1754). See WoO 156, #1.
• Scottish Folk Song Arrangement: Polly Stewart WoO 1561818
  Text: Robert Burns. See WoO 156, #1.
• Arrangement of Scottish folk song Glencoe WoO 1561819
  Text: Sir Walter Scott. See WoO 156, #1.
• Arrangement of the Scottish folk song Up! quit thy bower late wears the hour WoO 1561819
  Text: Joanna Baillie. See WoO 156, #1.
• Scottish Folk Song Arrangement: The banner of Buccleuch WoO 1561819
  Text: Sir Walter Scott. The twelve pieces of WoO 156 bear the joint title of Zwölf Schottische Lieder ("Twelve Scottish Songs").
• Arrangement of the Irish folk song A health to the brave WoO 1571815
  Text: John Dovaston. See WoO 157, #1.
• Arrangement of the Irish folk song By the side of the Shannon WoO 1571815
  Text: William Smith. See WoO 157, #1.
• Arrangement of the Irish folk song Robin Adair WoO 1571815
  Text: Anonymous. See WoO 157, #1.
• Arrangement of the Irish folk song The soldier WoO 1571815
  Text: William Smyth. See WoO 157, #1.
• Arrangement of the Irish folk song The Wandering minstrel WoO 1571815
  Text: William Smyth. See WoO 157, #1.
• Arrangement of the Venetian folk song La gondoletta WoO 1571816
  See WoO 157, #1.
• Arrangement of the English folk song God save the King WoO 1571817
  Text: Henry Carey; WoO 78 consists of variations on this melody. The twelve pieces of WoO 157 bear the joint title of Zwölf verschiedene Volkslieder ("Twelve Various Folk Songs").
• Arrangement of the Scottish folk song Sir Johnie Cope WoO 1571817
  Old song of the Jacobites. See WoO 157, #1.
• Arrangement of the Sicilian folk song O sanctissima, o piissima WoO 1571817
  See WoO 157, #1.
• Arrangement of the English folk song The Miller of Dee WoO 1571819
  See WoO 157, #1.
• Arrangement of the Scottish folk song O Charlie is my darling WoO 1571819
  See WoO 157, #1.
• Arrangement of the Scottish folk song Highlander's lament WoO 1571820
  Text: Robert Burns. See WoO 157, #1.
• Arrangement ("Canzonetta veneziana") of a popular Venetian song ("Da brava, Catina, mostreve bonina...") WoO 158 a 1816
  See WoO 158a, no. 1.
• Arrangement (“Bolero a due”) of a Spanish popular song (“Like the butterfly I am”) WoO 158 a 1816
  Hess 207 is the first version of the coda. See WoO 158a, no. 1.
• Arrangement (“Bolero a solo”) of a Spanish popular song: Una paloma blanca WoO 158 a 1816
  See WoO 158a, no. 1.
• Arrangement of a German folk song ("Horch auf, mein Liebchen...") WoO 158 a 1816
  See WoO 158a, no. 1.
• Arrangement of a German folk song ("Wegen meiner blieb d'Fräula...") WoO 158 a 1816
  See WoO 158a, no. 1.
• Arrangement of a Polish folk song ("Oj, oj upilem sie w karczmie...") WoO 158 a 1816
  See WoO 158a, no. 1.
• Arrangement of a Polish folk song ("Poszla baba po popial...") WoO 158 a 1816
  See WoO 158a, no. 1.
• Arrangement of a Portuguese popular song ("I don't want to embark...") WoO 158 a 1816
  See WoO 158a, no. 1.
• Arrangement of a Portuguese popular song ("Seus lindas olhos...") WoO 158 a 1816
  See WoO 158a, no. 1.
• Arrangement of a Russian folk song ("...Vo lesocke komarokov mnogo urodilos..."; in German: "Im Walde sind viele Mücklein geboren...") WoO 158 a 1816
  See WoO 158a, no. 1.
• Arrangement of a Russian folk song ("Akh, recen'ki, recen'ki..."; German: "Ach Bächlein, Bächlein, kühle Wasser...") WoO 158 a 1816
  See WoO 158a, no. 1.
• Arrangement of a Russian folk song ("Kak Posli nasi podruzki..."; German: "Unsere Mädchen gingen in den Wald...") WoO 158 a 1816
  See WoO 158a, no. 1.
• Arrangement of a Russian folk song, "Cossack Air" ("Schöne Minka, ich muß scheiden...") WoO 158 a 1816
  Variations on this melody: Op 107 no. 7. See WoO 158 a, no. 1.
• Arrangement of a Spanish popular song: Spanish Tiranilla ("The tiranna embarks...") WoO 158 a 1816
  See WoO 158a, no. 1.
• Arrangement of a Swiss folk song ("An ä Bergli bin i gesässe...") WoO 158 a 1816
  See WoO 158a, no. 1.
• Arrangement of a Tyrolean folk song ("A Madel, ha a Madel...") WoO 158 a 1816
  Variations on this melody: Op 107 no. 5. See WoO 158 a, no. 1.
• Arrangement of a Tyrolean folk song ("Wann i in der Früh aufsteh...") WoO 158 a 1816
  See WoO 158a, no. 1.
• Arrangement of the Tyrolean folk song Teppichkrämerlied WoO 158 a 1816
  Op 107 No. 1 consists of variations on this melody. See WoO 158a, no. 1.
• Arrangement of a Hungarian vintage folk song ("Édes kinos emlékezet") WoO 158 a 1817
  See WoO 158a, no. 1.
• Arrangement of a Swedish lullaby ("Lilla Carl, sov sött i frid!...") WoO 158 a 1817
  Text: C.M. Bellmann. See WoO 158a, no. 1.
• Arrangement of a Tyrolean folk song ("'Wer solche Buema afipackt...") WoO 158 a 1817
  See WoO 158a, no. 1.
• Arrangement of a Tyrolean folk song ("Ih mag di nit nehma, du töppeter Hecht...") WoO 158 a 1817
  See WoO 158a, no. 1.
• Arrangement of the Danish folk song Ridder Stigs Runer WoO 158 a 1817
  The pieces in WoO 158 bear the joint title of Lieder verschiedene Völker ("Songs of Various Peoples") and are subdivided into three groups, numbered 1 to 3 or as WoO 158a, 158b and 158c. A fourth section (158 d) has been added later by other compilers. Th
• Arrangement of an Irish folk song (Lament for Owen Roe O'Neill) WoO 158 b 1810
  See WoO 158 b, no. 1.
• Arrangement of an Irish folk song ("Adieu, my lov'd harp"), in A major. WoO 158 b 1813
  Text: Moore. The second section of WoO 158 (WoO 158, 2 or 158b) is titled "Britische Lieder" ("British Songs") and consists of seven pieces, none of which feature text11. For WoO 158 in general, see WoO 158a, #1.
• Arrangement of an Irish folk song ("Castle O'Neill"), in E flat major WoO 158 b 1813
  See WoO 158 b, no. 1.
• Arrangement of a Scottish folk song ("O Mary ye's be clad in silk") WoO 158 b 1815
  See WoO 158 b, no. 1.
• Arrangement of a Scottish folk song (Erin! O Erin!, "Like the bride lamp that lay..."), in G major WoO 158 b 1815
  See WoO 158 b, no. 1.
• Arrangement of a Scottish folk song ("Red gleams the sun on yon hill tap") WoO 158 b 1817
  See WoO 158 b, no. 1.
• Arrangement of a Scottish folk song (Oh ono chri!, "O was not I a weary wight") WoO 158 b 1817
  See WoO 158 b, no. 1.
• Arrangement of a (Scottish) folk song in E minor WoO 158 c 1810
  No title or text. See WoO 158 c, no. 1.
• Arrangement of a popular song (When my Hero in court appears) in E minor. WoO 158 c 1817
  Text: John Gay. See WoO 158 a, no. 1. The third section of WoO 158 (WoO 158, 3 or 158 c) is, in the Kinsky and Halm catalogue, the title "Lieder unbekannter Herkunft" ("Songs of unknown origin") and consists of six pieces without text12​.
• Arrangement of a popular song in B major ("Air de Colin", Le Devin du Village by Rousseau) WoO 158 c 1817
  Text: Jean Jacques Rousseau. See WoO 158 c, no. 1.
• Arrangement of a (Scottish) folk song in B flat major (From thee, Eliza, I must go), for three voices and piano trio WoO 158 c 1818
  Text: Robert Burns. See WoO 158 c, no. 1.
• Arrangement of a (Scottish) folk song in A major (Bonnie wee thing), for three voices and piano WoO 158 c 1820
  Text: Robert Burns. See WoO 158 c, no. 1.
• Arrangement of a (Scottish) folk song in B major (Mark yonder pomp of costly fashion) WoO 158 c 1820
  Text: Robert Burns. See WoO 158 c, no. 1.
• Arrangement of a French popular song (Air Français) in F major. WoO 158 d
  See WoO 158 a, no. 1. The fourth section of WoO 158 (WoO d) does not appear in the catalog of Kinsky and Halm13​; This is a later addition to the WoO roster.
• Canon for three voices, in F major: Im Arm der Liebe ruht sich's wohl WoO 1591795
  Text: modification of the poem Liedchen von der Ruhe by Wilhelm Ueltzen (cf. Op. 52, 3). Counterpoint study for Albrechtsberger
• Twelve Scots for orchestra or piano WoO 16
  Apparently lost work, of doubtful authorship.
• Canon (Moderato) for four voices in unison, without text WoO 1601795
  Counterpoint study for Albrechtsberger. The two pieces in WoO 160 bear the joint title Zwei Kanons ("Two Canons").
• Canon in G major (Allegretto) for three voices in unison, without text WoO 1601795
  Counterpoint study for Albrechtsberger. The two pieces in WoO 160 bear the joint title Zwei Kanons ("Two Canons").
• Canon for three voices in C major: Ewig dein! WoO 1611811
• Canon for four voices in B flat major: "Ta ta ta, lieber Mälzel..." WoO 1621812
  Apocryphal authorship; the canon was apparently written by Anton Schindler on the allegretto from Beethoven's Eighth Symphony.
• Canon for three voices in F minor: Kurz ist der Schmerz, und ewig ist die Freude WoO 1631813
  Dedicated to Johann Friedrich Naue
  Text: final verses of the poem Jungfrau von Orleans by Friedrich von Schiller. First version; another later one is WoO 166.
• Canon for three voices in C major: Freundschaft ist die Quelle wahrer Glückseligkeit WoO 1641814
• Free canon for four voices: Glück zum neuen Jahr! WoO 1651815
  Dedicated to Baron Johann Baptist von Pasqualati
  First version; another later one is WoO 176.
• Canon for three voices in F major: Kurz ist der Schmerz, und ewig ist die Freude WoO 1661815
  Dedicated to Louis Spohr
  Text: Friedrich von Schiller (final verses of the poem Jungfrau von Orleans); second version; the first is WoO 163
• Canon for three voices in C major: Brauchle, Linke WoO 1671815
• Canon for three voices in F major: Das Reden WoO 1681816
  Dedicated to Charles Neate
• Riddle Canon ("Rätselkanon") for three voices in F major: Das Schweigen ("Lerne schweigen, or Freund...") WoO 1681816
  Dedicated to Charles Neate
  Text: Johann Gottfried Herder. WoO 168 brings together two pieces, without giving them a joint title.
• Riddle Canon (Rätselkanon) for two voices in C major: Ich küße Sie, drücke Sie an mein Herz WoO 1691816
  Dedicated to Anna Milder-Hauptmann
  Text by Beethoven ("I kiss you and hold you close to my heart...")
• Ländler in B flat major: Mödlinger Tänze No. 8 WoO 171819
  See WoO 17, no. 1
• Ländler in E flat major: Mödlinger Tänze No. 6 WoO 171819
  See WoO 17, no. 1
• Minuet in B flat major: Mödlinger Tänze No. 2 WoO 171819
  See WoO 17, no. 1
• Minuet in B flat major: Mödlinger Tänze No. 7 WoO 171819
  See WoO 17, no. 1
• Minuet in B flat major: Mödlinger Tänze No. 9 WoO 171819
  See WoO 17, no. 1
• Minuet in E flat major: Mödlinger Tänze No. 4 WoO 171819
  See WoO 17, no. 1
• Minuet in E flat major: Mödlinger Tänze No. 5 WoO 171819
  See WoO 17, no. 1
• Waltz in B flat major: Mödlinger Tänze No. 3 WoO 171819
  See WoO 17, no. 1
• Waltz in D major: Mödlinger Tänze No. 10 WoO 171819
  See WoO 17, no. 1
• Waltz in D major: Mödlinger Tänze No. 11 WoO 171819
  See WoO 17, no. 1
• Waltz in E flat major: Mödlinger Tänze No. 1 WoO 171819
  The joint title of WoO 17 is Elf Tänze für sieben Streich- und Blasinstrumente ("Eleven Dances for Seven String and Wind Instruments") or Mödlinger Tänze. The work is probably spurious
• Canon for two voices in C major: Ars longa, vita brevis WoO 1701816
  Dedicated to Johann Nepomuk Hummel
  Text: Aphorism of Hippocrates, in Latin version by Seneca (de brevitate vitae). First version; two later ones are WoO 192 and WoO 193
• Canon for four voices in G major: Glück fehl' dir vor allem... WoO 1711795
  Dedicated to Anna Giannatasio del Rio
  Apocryphal authorship; It was actually written by Michael Haydn
• Canon for three voices in E flat major: Ich bitt' dich, schreib' mir die Es-Scala auf WoO 1721818
  Dedicated to Vincent Hauschka
  The humorous text ("I ask you, write me the scale of my...") is probably by Beethoven.
• Riddle Canon (Rätselkanon, Canon infinitus) for two voices in B flat major: Hol' euch der Teufel! B'hüt euch Gott! WoO 1731819
  Dedicated to Sigmund Anton Steiner
• Canon for four voices in B flat major: Glaube und hoffe WoO 1741819
  Dedicated to Moritz Schlesinger
  Kinsky and Halm (1955, p. 679) observe that the piece resembles a canon, but it is not one properly speaking.
• Riddle-canon (Rätselkanon) for four voices: Sankt Petrus war ein Fels, Bernardus war ein Sankt WoO 1751820
  Dedicated to Carl Peters and Carl Bernard
  The text ("Saint Peter is a rock and Bernard is a saint") plays with the names of the recipients of the piece.
• Canon for three voices in F major: Glück, Glück zum neuen Jahr! WoO 1761819
  Dedicated to Countess Anna Marie Erdödy
  Second version of the piece; the first is WoO 165.
• Canon for four basses with cello or double bass accompaniment, in E major: Bester Magistrat, Ihr friert WoO 1771820
  The humorous text ("Grand magistrate, you are freezing..."), is by Beethoven.
• Canon for three voices in B flat major: Signor Abate WoO 1781820
  Dedicated to Abbe Maximilian Stadler
  Humorous text, in Italian and German, by Beethoven.
• Canon for four voices, in C major: Seiner kaiserlichen Hoheit... Alles Gute, alles Schöne WoO 1791819
  Dedicated to Archduke Rudolph of Austria
  Beethoven text.
• March for military music (n. 1, in F major): Marsch für die böhmische Landwehr, later called York'scher Marsch WoO 181809-1810
  Dedicated to Archduke Anton
  Hess 99 is the piano version; Beethoven added a trio in B flat around 1822
• Canon for two voices in C major: Hoffmann, sei ja kein Hofmann WoO 1801820
  The text, a play on the surname Hoffmann ("Hoffmann, do not be a servant..."), perhaps arose from a dialogue about the poet and musician E.T.A. Hoffmann, although he does not properly address this14.
• Canon for four voices in C major: Gedenket heute an Baden WoO 1811820
  WoO 181 consists of three canons ("Drei Kanons"). Beethoven text.
• Canon for three voices in C major: Gehabt euch wohl WoO 1811820
  See WoO 181, no. 1. Text by Beethoven.
• Canon for three voices in C major: Tugend ist not reader Name WoO 1811820
  See WoO 181, no. 1. Text by Beethoven.
• Canon for three voices in D minor: O Tobias! WoO 1821821
  Dedicated to Tobias Haslinger
  Beethoven text.
• Canon for four voices in F major: Bester Herr Graf, Sie sind ein Schaf WoO 1831823
  Dedicated to Count Moritz Lichnowsky
  Text (humorous) by Beethoven.
• Canon for five voices in G major: Falstafferel, lass dich sehen! WoO 1841823
  Dedicated to Ignaz Schuppanzigh
  Beethoven text.
• Canon for six voices Edel sei der Mensch, hülfreich und gut WoO 1851823
  Dedicated to Louis Schlosser
  Text: verses from Goethe's poem Das Göttliche. There are two versions, one in E major and another in E flat major.
• Canon for two voices in E flat major: I only adore you WoO 1861824
  Dedicated to Carlo Evasio Soliva
  Text: Pietro Metastasio (from the opera La Betulia liberata). The text is the same as that used in canons Hess 263 and Hess 264
• Canon for four voices in F major: Schwenke dich ohne Schwänke! WoO 1871824
  Dedicated to Carl Schwencke
  The humorous text (a play on words with the last name of the recipient of the piece) is by Beethoven.
• Canon-riddle for two voices in B flat major: Gott ist eine feste Burg WoO 1881825
  Dedicated to Oberst von Düsterlohe
  Beethoven text.
• Canon for four voices in C major: Doktor, sperrt das Tor dem Tod WoO 1891825
  Dedicated to The doctor Anton Braunhofer
  Text by Beethoven, for your doctor.
• March for military music (no. 2, in F major) WoO 191810
  Dedicated to Archduke Anton
  Written for a carousel; Beethoven added a trio in F minor around 1822
• Riddle-canon (Rätselkanon) for two voices in C major: Ich war hier, doktor, ich war hier WoO 1901825
  Dedicated to Anton Braunhofer
  Text by Beethoven, for your doctor.
• Canon for three voices in B flat major: Kühl, nicht lau WoO 1911825
  Dedicated to Friedrich Kuhlau
  The text, by Beethoven, plays with the name of the recipient, in addition to containing allusions to the Kuhlau canon B-a-c-h: the first notes of WoO 191 are B, A, C, H (that is: B flat, A, C, B B)15​.
• Canon-riddle in F major: Ars longa, vita brevis WoO 1921825
  Dedicated to Sir George Smart
  Text: Aphorism of Hippocrates in Latin version by Seneca (see WoO 170); second version: the first is WoO 170 and a third is WoO 193.
• Canon-riddle in C major: Ars longa, vita brevis WoO 1931825
  Text: Aphorism of Hippocrates in Latin version by Seneca (see WoO 170). Third version; the others are WoO 170 and WoO 192
• Canon-riddle in F major: Si non per portas, per walls WoO 1941825
  Dedicated to Moritz Schlesinger
• Canon for two voices in A major: Freu' dich des Lebens WoO 1951825
  Dedicated to Theodor Molt
  Text: from the poem Gesellschaftslied by Johann Martin Usteri.
• Canon-riddle for four tenors in F major: Es muß sein! WoO 1961826
  Dedicated to Ignaz Dembscher
  Beethoven text.
• Canon for five voices in C major: Das ist das Werk, sorgt um das Geld! WoO 1971826
  Dedicated to Carl Holtz
  Humorous text ("Here's the job, come the money!"), written on the occasion of the delivery of the four-hand piano version (Op. 134) of the Grosse Fuge Op. 133.
• Canon-riddle for two voices in C major: Wir irren allesamt... WoO 1981826
  Dedicated to Carl Holtz
  The text ("We all make mistakes, but each one makes mistakes in a different way") comes from a canon in the manual Die Kunst des reinen Satzes in der Musik (1771) by Kirnberger16​.
• Joke in D major: Ich bin der Herr von zu, Du bist der Herr von von WoO 1991814
  Dedicated to Archduke Rudolph of Austria
  Beethoven's joke directed at the archduke.
• Introduction in D major to the 2nd act of Leonore (Zwischenaktmusik, “Intermission Music”) WoO 21805
  Beginning of Leonore's Act II
• Triumphal march for orchestra in C major for the tragedy Tarpeja by Christoph Kuffner WoO 21813
  Christoph Kuffner Tragedy
• March for military music in C major: Zapfenstreich WoO 201809-1822
  Beethoven added a trio in F major around 1822
• Theme song (Liedthema) in G major: O Hoffnung! WoO 2001818
  Dedicated to Archduke Rudolph of Austria
  Text from Urania, by Ch.A. Tiedge. The theme was written as an "exercise" (Aufgabe) for Archduke Rudolf, who composed forty variations on it.
• Joke in C major: Ich bin bereit! Amen WoO 2011818
  Dedicated to Vincent Hauschka
  Beginning of a double fugue, with text by Beethoven. The original was included in Beethoven's letter #903.
• Musical motto (musikalisches Leitspruch) in F major: Das Schöne zum Guten! WoO 2021823
  Dedicated to Marie Pachler-Koschak
  The text comes from the final verses of Matthison's Opferlied (see Op. 121b). First version of the piece; the second is WoO 203
• Musical motto (musikalisches Leitspruch) in F major: Das Schöne zum Guten! WoO 2031825
  Dedicated to Ludwig Rellstab
  Second version; see WoO 202. The original was included in letter #1366 b.
• Musical joke in D minor: Holz, Holz, geigt die Quartette so... WoO 2041825
  The title in the Kinsky and Halm catalog is: Musikalischer Scherz auf Carl Holz' Quartettspiel. The piece is discussed in Beethoven's conversation notebook, dated September 1825. Apocryphal authorship; It was actually written by Karl Holz
• Musical greeting for solo voices in C major: Baron, Baron, Baron WoO 2051798
  Dedicated to Nikolaus Zmeskall
  The joint title of the ten pieces of WoO 205 is Notenscherze in Briefen. #1 was originally included in letter #29.
• Musical greeting for solo voices in C major: Allein, allein, allein, jedoch. Silence!! WoO 2051814
  Dedicated to Count Moritz Lichnowsky
  See WoO 205, no. 1. The original was part of Beethoven's letter no. 498.
• Musical greeting for solo voices in A minor: O Adjutant WoO 2051817
  Dedicated to Tobias Haslinger
  See WoO 205, no. 1. Original included in Beethoven's letter no. 742.
• Musical greeting for solo voices in C major: Wo? Wo?' WoO 2051817
  Dedicated to Nanette Streicher
  See WoO 205, no. 1. The original was included in Beethoven's letter 789 or 792.
• Musical greeting for solo voices in D major: Erfüllung, Erfüllung WoO 2051819
  Dedicated to Archduke Rudolph of Austria
  See WoO 205, no. 1. The piece was originally included in Beethoven's letter no. 948.
• Musical greeting for solo voices in F major: Scheut euch nicht WoO 2051822
  Dedicated to George Friedrich Treitschke
  See WoO 205, #1. This piece was included in letter #1068.
• Musical greeting for solo voices in E major: Tobias! Paternostergäßler... WoO 2051824
  Dedicated to Tobias Haslinger
  See WoO 205, no. 1. This humorous piece ("Tobias, of Paternoster Alley, musical philistine of the alehouse...") was originally included in Beethoven's letter no. 1312.
• Musical greeting for solo voices in D major: Tobias Tobias WoO 2051825
  Dedicated to Tobias Haslinger
  See WoO 205, No. 1. Piece included in letter No. 1365.
• Musical greeting for solo voices in C major: Bester To...[bias] WoO 2051826
  Dedicated to Tobias Haslinger
  See WoO 205, no. 1. The piece was originally included in Beethoven's letter no. 1534.
• Musical greeting for solo voices in C major: Erster aller Tobiasse WoO 2051826
  Dedicated to Tobias Haslinger
  See WoO 205, no. 1. The original was included in Beethoven's letter no. 1536.
• Polonaise for military music in D major WoO 211810
• Scottish for military music in D major WoO 221809-1810
• Scottish for military music in G major.. WoO 231810
  Lost, known only in Carl Czerny's piano reconstruction.
• March for military music in D major WoO 241816
• Rondino for two oboes, clarinets, horns and trombones in E flat major. WoO 251792-1793
  Work originally written as the finale of the octet Opus 103
• Duo for flutes in G major: Allegro and Minuet WoO 261792
  Dedicated to J.M. Degenhart
• Duo No. 1 for clarinet and bassoon in C major WoO 27
  The title of WoO 27 is: Drei Duos für Klarinette und Fagott; work accepted as authentic in Kinsky and Halm (1955) and considered apocryphal in Kerman (1983)
• Duo No. 2 for clarinet and bassoon in F major WoO 27
  See WoO 27, no. 1
• Duo No. 3 for clarinet and bassoon in B flat major WoO 27
  See WoO 27, no. 1
• Variations for oboe and English horn in C major on “Là ci darem la mano” from Don Giovanni by Mozart. WoO 281796-1797
  It is possible that they were originally associated with the Opus 87 trio
• March for two clarinets, two horns and two bassoons in B flat major: Grenadiermarsch WoO 291797-1798
  See also Hess 107
• Minuet for orchestra in E flat major: Gratulations-Menuett ("Congratulations Minuet") WoO 31822
  Dedicated to Karl Holz
  Dedicated to the editor Carl Holz, but written as a tribute to Karl Hensler for his birthday, as part of a serenade.
• Equale for trombones in B flat major WoO 301812
  Dedicated to Franz Xaver Glöggl.
  See WoO 30, No. 1
• Equale for trombones in D major WoO 301812
  Dedicated to Franz Xaver Glöggl.
  See WoO 30, No. 1
• Equale for trombones in D minor WoO 301812
  Dedicated to Franz Xaver Glöggl
  WoO 30 is titled Drei Equale für vier Posaunen. There is also a version for 4 male voices; This was performed at Beethoven's funeral.
• Fugue for organ in D major. WoO 311783
• Duet for viola and cello in E flat major: Duett mit zwei obligaten Augengläsern ("Duet with two obbligato glasses") WoO 321796-1797
  Dedicated to Nikolaus von Zmeskall (cellist friend of his who required glasses)
  The 2nd movement is preserved only in fragments
• Five pieces for musical clock No. 5 in C major: Minuet, Allegretto WoO 331794
  See WoO 33, #1.
• Five pieces for musical clock, No. 4 in C major: Allegro non più molto WoO 331794
  See WoO 33, #1.
• Five pieces for musical clock, No. 1 in F major: Adagio assai WoO 331799
  The joint title of WoO 33 is Fünf Stücke für die Flötenuhr.
• Five pieces for musical clock, No. 3, in G major: Allegro WoO 331799
  See WoO 33, #1.
• Five pieces for musical clock, No. 2 in G major: Scherzo-allegro WoO 331799-1800
  See WoO 33, #1.
• Duo for violins in A major. WoO 341822
  Dedicated to Alexandre Boucher
• Canon in A major for 2 violins or 2 cellos. WoO 351825
  Dedicated to Boer Samson
  Not for Otto de Boer as some sources say (e.g. Kinsky-Halm, 1955, p. 476)
• Piano Quartet in C Major WoO 361785
  Includes motifs and themes that appear in the Piano Sonatas Op. 2 No. 1 and Op. 2 No. 3
• Piano Quartet in D major WoO 361785
• Piano Quartet in E flat major WoO 361785
  The theme of the Allegro corresponds to a sketch of an unfinished early symphony (Hess 298)
• Trio for piano, flute and bassoon in G major WoO 371786
• Trio for Piano, Violin and Cello No. 8 in E flat major WoO 381785-1791
  Perhaps it was originally one of the trios from Op. 1
• Trio for piano, violin and cello in B flat major: Allegretto WoO 391812
  Dedicated to Maximiliane Brentano
  Beethoven's epigraph in the autograph: "For my little friend Maxe Brentano, to encourage her to play the piano."6​
• Concerto for Piano and Orchestra in E flat major ("Piano Concerto No. 0") WoO 41784
  Of Beethoven's original composition, only the piano part is preserved, with some orchestral ideas; the rest was rebuilt by Willy Hess.
• 12 variations for piano and violin in F major on the theme “Se vuol ballare” from The Marriage of Figaro by Mozart. WoO 401792-1793
  Dedicated to Eleonore von Breuning
• Rondo for piano and violin in G major. WoO 411793-1794
• Six German dances (allemandes) for violin and piano: in F, D, F, A, B flat major, D, and G WoO 421796
  Dedicated to The two countesses Thun
• Adagio for mandolin and harpsichord in E flat major (WoO 43b) WoO 431796
  Dedicated to Countess Josephine of Clary
  Hess 44 is a slightly different version
• Sonatina for mandolin and harpsichord in C minor (WoO 43a) WoO 431796
  Dedicated to Countess Josephine of Clary
• Andante with Variazioni for mandolin and harpsichord in D major (WoO 44b) WoO 441796
  Dedicated to Countess Josephine of Clary
• Sonatina for mandolin and harpsichord in C major (WoO 44a) WoO 441796
  Dedicated to Countess Josephine of Clary
• 12 variations for piano and cello in G major on the theme "See the conquering hero come" from Handel's oratorio Judas Maccabeus WoO 451796
  Dedicated to Princess Christiane Lichnowsky (née Thun)
• 7 variations for piano and cello in E flat major on the duet “Bei Männern, welche Liebe fühlen” from Mozart's The Magic Flute. WoO 461801
  Dedicated to Count Johann Georg Browne
• Piano Sonata in E flat major: Kurfürstensonate No. 1 WoO 471783
  Dedicated to Maximilian Frederick von Königsegg-Rothenfels
• Piano sonata in F minor: WoO 471783
  Dedicated to Archbishop Maximilian Friedrich of Cologne
• Rondo for piano in C major WoO 481783
• Rondo for piano in A major WoO 491783
• Concerto for violin and orchestra in C major: fragment of the first movement. Incomplete WoO 51790-1792
  Dedicated to Gerhard von Breuning
  Three different endings were made.
• Two movements of a piano sonatina in F major WoO 501790-1792
  Dedicated to Franz Wegeler
• Easy piano sonata in C major WoO 511791-1798
  Dedicated to Eleonore von Breuning
  The first edition was completed by Ferdinand Ries, since small parts of the first two movements and the entire last movement had been lost.
• Bagatelle for piano in C minor: Presto. WoO 521795-1822
  Originally intended for Piano Sonata No. 1 Opus 10
• Allegretto for piano in C minor WoO 531796-1797
  Perhaps originally intended for Piano Sonata No. 1 Opus 10. Another arrangement of this piece exists, listed as Hess 66
• Piano piece in C major: Lustig - traurig ("Happy-sad") in C major and minor WoO 541802
• Prelude for piano in F minor WoO 551803
• Bagatelle for piano in C major: Allegretto WoO 561803-1822
• Andante for piano in F major: ''Andante favori'' WoO 571803-1804
  Originally intended as a slow movement of the Piano Sonata Opus 53
• Piano Cadenza in D minor: for the first movement of Mozart's Piano Concerto in D minor (KV 466). WoO 581809
  Dedicated to Ferdinand Ries
• Piano Cadenza in D minor: for the third movement of Mozart's Piano Concerto in D minor (KV 466). WoO 581809
  Dedicated to Ferdinand Ries
• Bagatelle for piano in A minor: Für Elise ("For Elisa") WoO 591808-1810
  Dedicated to Therese Malfatti
  Autograph lost, but Elise was probably Therese Malfatti. The title, perhaps due to a reading error, is due to Ludwig Nohl, who discovered the manuscript.7​
• Rondo for piano and orchestra in B flat major: fragment, completed by Carl Czerny WoO 61793
  This was probably the original ending for Piano Concerto No. 2 Opus 19
• Piano Bagatelle in B flat major: Zeimlich lebhaft ("Quite lively") WoO 601818
  Dedicated to Marie Szymanowska
• Allegretto for piano in B minor WoO 611821
  Dedicated to Ferdinand Piringer
• Piano Bagatelle in G minor (WoO 61a) WoO 611825
  Dedicated to Sarah Burney Page
  WOo 61a
• String Quintet in C major: Letzter musikalischer Gedanke ("Last Musical Thought"), unfinished WoO 621826
  Unfinished, due to Beethoven's death. It only exists in transcription for piano.
• 9 Piano Variations in C Minor: On a March by Ernst Christoph Dressler WoO 631782
  Dedicated to Countess Wolf-Metternich
  First work, published at age 11.
• 6 variations for piano or harp in F major: on a Swiss song WoO 641790-1792
• 24 variations for piano in D major: on the arietta by Vincenzo Righini Venni Amore WoO 651790-1791
  Dedicated to Countess Hatzfeld
  It was originally thought to exist only in the corrected edition of 1802; The original edition was recently discovered, which shows that the work reached its final state as early as 1791, thus making Hess 55 of the "early version" superfluous.
• 13 variations for piano in A major: on Dittersdorf's arietta “Es war einmal ein alter Mann” from Das rote Käppchen WoO 661792
• 8 variations for piano for four hands in C major: on a theme by Count Ferdinand von Waldstein WoO 671792
• 12 variations for piano in C major: on the “Menuett à la Viganò” from Jakob Haibe's ballet Le nozze disturbate WoO 681795
• 9 variations for piano in A major: on Giovanni Paisiello's theme «Quant' è più bello» by La Molinara WoO 691795
  Dedicated to Prince Carl Lichnowsky
• Minuet for Orchestra No. 11 in C Major WoO 71795
  See observations to WoO 7, 1
• Minuet for Orchestra No. 12, in F major WoO 71795
  See observations to WoO 7, 1
• Minuet for Orchestra No. 2 in B flat major WoO 71795
  See observations to WoO 7, 1
• Minuet for Orchestra No. 3 in G Major WoO 71795
  See observations to WoO 7, 1
• Minuet for Orchestra No. 4 in E flat major WoO 71795
  See observations to WoO 7, 1
• Minuet for Orchestra No. 5 in C Major WoO 71795
  See observations to WoO 7, 1
• Minuet for orchestra No. 6 in A major WoO 71795
  See observations to WoO 7, 1
• Minuet for Orchestra No. 7 in D major WoO 71795
  See observations to WoO 7, 1
• Minuet for Orchestra No. 9 in G Major WoO 71795
  See observations to WoO 7, 1
• Orchestral Minuet No. 1 in D major WoO 71795
  The twelve pieces of WoO 7 bear the joint title 12 Minuets for Orchestra. The piano version is Hess 101
• Orchestral Minuet No. 10 in E flat major WoO 71795
  See observations to WoO 7, 1
• Orchestral Minuet No. 8 in B flat major WoO 71795
  See observations to WoO 7, 1
• 6 variations for piano in G major: on the duet “Nel cor più non mi sento” from the opera La Molinara by Giovanni Paisiello WoO 701795
• 12 variations for piano in A major: on the Russian dance from the ballet Das Waldmädchen by Paul Wranitzky. WoO 711796-1797
  Dedicated to Countess Anna Margarete von Browne
• 8 variations for piano in C major: on the romance “Mich brennt ein heißes Fieber” (“Une fièvre brûlante”) from the opera Richard Cœur de Lion by A.E.M. Gretry. WoO 721795-1798
• 10 variations for piano in B major: on the duet "La stessa, la stessissima" from the opera Falstaff by Antonio Salieri. WoO 731799
  Dedicated to Countess Barbara von Keglevics
• Song Ich denke dein with six variations for four-hand piano WoO 741799-1803
  Dedicated to Countesses Therese Brunsvik and Josephine Deym (née Brunsvik)
  Text of Goethe's poem (from Nähe des Geliebten, 1795).
• 7 variations for piano in F major: on the quartet “Kind, willst du ruhig schlafen?” from the opera Das unterbrochene Opferfest by Peter Winter. WoO 751792-1799
• 8 variations for piano in F major: on the trio “Tändeln und scherzen” from the opera Soliman II by Franz Xaver Süssmayr. WoO 761799
  Dedicated to Countess Anna Margarete von Browne
• 6 easy piano variations in G major on an original theme. WoO 771800
• 7 Piano Variations in C Major: On the English Folk Song God Save the King WoO 781802-1803
  WoO 157 #1 is a cover of the same song. The theme was used again in Wellington's Victory (Opus 91)
• 5 variations for piano in D major: on the English song "Rule Britannia", from Alfred by Thomas Arne. WoO 791803
  Theme used again in Wellington's Victory (Opus 91).
• German Dance for Orchestra No. 1, in C major WoO 81795
  The twelve pieces of WoO 8 bear the general title of Twelve German Dances for Orchestra. The piano version is Hess 100
• German Dance for Orchestra No. 10, in D major WoO 81795
  See observations to WoO 8, 1
• German Dance for Orchestra No. 11, in G major WoO 81795
  See observations to WoO 8, 1
• German Dance for Orchestra No. 12, in C major WoO 81795
  See observations to WoO 8, 1
• German Dance for Orchestra No. 2, in A major WoO 81795
  See observations to WoO 8, 1
• German Dance for Orchestra No. 3, in F major WoO 81795
  See observations to WoO 8, 1
• German Dance for Orchestra No. 4, in B flat major WoO 81795
  See observations to WoO 8, 1
• German Dance for Orchestra No. 5, in E flat major WoO 81795
  See observations to WoO 8, 1
• German Dance for Orchestra No. 6, in G major WoO 81795
  See observations to WoO 8, 1
• German Dance for Orchestra No. 7, in C major WoO 81795
  See observations to WoO 8, 1
• German Dance for Orchestra No. 8, in A major WoO 81795
  See observations to WoO 8, 1
• German Dance for Orchestra No. 9, in F major WoO 81795
  See observations to WoO 8, 1
• 32 variations for piano in C minor: on an original theme. WoO 801806
• Allemande for piano in A major WoO 811793-1822
• Piano minuet in E flat major. WoO 821803
• 6 Scots for piano in E flat major. WoO 831806
• Piano Waltz in E flat major. WoO 841824
  Dedicated to Friedrich Demmer
  Dedicated by the editor.
• Waltz for piano in D major. WoO 851825
  Dedicated to Duchess Sophie of Austria
  Dedicated by the editor.
• Scottish for piano in E flat major. WoO 861825
  Dedicated to Duchess Sophie of Austria
  Dedicated by the editor.
• Trauerkantate auf den Tod Kaiser Josephs II ("Cantata for the Death of Kaiser Joseph II") for soloists, chorus and orchestra WoO 871790
  Text: S.A. Avendonk
• Kantate auf die Erhebung Leopolds II. zur Kaiserwürde ("Cantata for the Ascension of Leopold II to the Imperial Dignity") for soloists, chorus and orchestra WoO 881790
  Text: S.A. Avendonk
• Aria in F major: Prüfung des Küssens for bass and orchestra WoO 891790-1792
  Text: Anonymous
• Minuet for two violins and cello No. 1 in E flat major WoO 91795
  The general title of WoO 9 is Sechs Menuette für zwei Violinen und Bass. Authorship not fully confirmed.
• Minuet for two violins and cello No. 2, in G major WoO 91795
• Minuet for two violins and cello No. 3, in C major WoO 91795
• Minuet for two violins and cello No. 4, in F major WoO 91795
• Minuet for two violins and cello No. 5, in D major WoO 91795
• Minuet for violins and cello No. 6, in G major WoO 91795
• Aria in D major: Mit Mädeln sich vertragen; for bass and orchestra WoO 901790-1792
  Text: from Goethe's Singspiel Claudine von Villa Bella (1776)
• Aria in B flat major “Soll ein Schuh nicht drücken?” for soprano and orchestra, for the singspiel Die schöne Schusterin by Ignaz Umlauf WoO 911795
  Text: Marquis de Ferrieres
• Aria in F major “O welch ein Leben!” for tenor and orchestra, for the singspiel Die schöne Schusterin by Ignaz Umlauf WoO 911795
  Text: Marquis de Ferrieres; The theme was also used in Maigesang ("May Song") Opus 52 no. 4
• Scene and aria in A major Primo amore for soprano and orchestra WoO 921791-1792
  Text: Anonymous
• Scene and aria in C major No, non turbarti for soprano and string orchestra (WoO 92a) WoO 921802
  Text: Pietro Metastasio
• Duo for soprano, tenor and orchestra: Ne' giorni tuoi felici. WoO 931802
  Text: Pietro Metastasio
• "Germania", final song in B flat major for the singspiel Die gute Nachricht by Treitschke, for bass, choir and orchestra WoO 941814
• Choir and orchestra in A major: Chor auf die verbündeten Fürsten ("Choir for the Allied Princes") WoO 951814
  Text: Carl Bernard
• Music for Friedrich Duncker's drama Leonore Prohaska for soloists, chorus and orchestra WoO 961815
  Funeral march which is an orchestration of the piano sonata no. 12, Opus 26, performed at the express request of the author of the drama (Friedrich Duncker)
• Es ist vollbracht ("It has been accomplished"), final song of the singspiel Die Ehrenpforten ("The Triumphal Arches") by Treitschke, for bass, chorus and orchestra, in D major WoO 971815
• Choir, with soprano and orchestra, for the festive piece Die Weihe des Hauses WoO 981822
  Text by Carl Meisl. See Opus 124
• Duo for soprano and tenor Bei labbri, che Amore WoO 991793-1794, o bie
  Dedicated to Antonio Salieri
  Text (WoO 99, no. 1): from the cantata La gelosia by Pietro Metastasio. The twelve pieces of WoO 99 bear the joint title of Mehrstimmige italienische Gesänge ("Italian songs for several voices"); They consist of Beethoven's composition exercises carried o
• Song in G major: O care selve, with unison chorus. WoO 991794-1795
  See WoO 99, no. 1. Text: from Olimpiade de Metastasio. Also published separately as piano song WoO 119.
• Trio for soprano, alto and bass: Per te d'amico aprile WoO 991795-1796
  Dedicated to Antonio Salieri
  Text: from Il nome, by Metastasio. See WoO 99, #1.
• Quartet for soprano, contralto, tenor and bass in C major: Silvio, amor disperato WoO 991801-1802
  Dedicated to Antonio Salieri
  See WoO 99, #1.
• Quartet for soprano, alto, tenor and bass Giura il nocchier (WoO 99/5a) WoO 991801-1803
  Dedicated to Antonio Salieri
  See WoO 99, no. 1. Text: from Metastasio's La gelosia. There are two versions (5a and 5b) of the piece.
• Quartet for soprano, contralto, tenor and bass Già la notte s'avvicina (WoO 99/4a) WoO 991801-1803
  Dedicated to Antonio Salieri
  See WoO 99, no. 1. Text: from The Fishing of Metastasio. There are two versions (4a and 4b) of the piece.
• Trio for alto, tenor and bass Già la notte s'avvicina (WoO 99/4b) WoO 991801-1803
  Dedicated to Antonio Salieri
  See WoO 99, #1 and #4a.
• Trio for soprano, alto and bass Giura il nocchier (WoO 99/5b) WoO 991801-1803
  Dedicated to Antonio Salieri
  See WoO 99, #1 and #5a.
• Duet for tenor and bass Fra tutte le penis (WoO 99/3a) WoO 99Antes de 1797, o
  Dedicated to Antonio Salieri
  See WoO 99, no. 1. Of no. 3 there are three versions (3a, 3b, 3c). Text: from the opera Zenobia by Metastasio.
• Quartet for soprano, alto, tenor and bass Fra tutte le penis (WoO 99/3c) WoO 99Antes de 1797, o
  Dedicated to Antonio Salieri
  See WoO 99, #1 and #3a.
• Quartet for soprano, alto, tenor and bass Quella cetra ah pur tu sei (WoO 99/10a) WoO 99Antes de 1797, o
  Dedicated to Antonio Salieri
  Text: from the Cantata per il giorno natalizio di Maria Teresa de Metastasio. There are three versions (10a, 10 b, 10c) of the piece. See WoO 99, #1.
• Quartet for soprano, alto, tenor and bass Quella cetra ah pur tu sei (WoO 99/10c) WoO 99Antes de 1797, o
  Dedicated to Antonio Salieri
  See WoO 99, #1 and #10 a.
• Trio for soprano, alto and tenor Fra tutte le penis (WoO 99/3b) WoO 99Antes de 1797, o
  Dedicated to Antonio Salieri
  See WoO 99, #1 and #3a.
• Trio for soprano, tenor and bass Quella cetra ah pur tu sei (WoO 99/10b) WoO 99Antes de 1797, o
  Dedicated to Antonio Salieri
  See WoO 99, #1 and #10a.
• Trio for soprano, tenor and bass: Chi mai di questo core WoO 99Antes de 1799, o
  Dedicated to Antonio Salieri
  Text: from the cantata Il ritorno by Metastasio. See WoO 99, #1.
• Trio for soprano, alto and bass Ma tu tremi WoO 99Hacia 1792-1794
  Dedicated to Antonio Salieri
  Text of The Tempest of Metastasio. See WoO 99, #1.
• Duet Scrivo in te (Do I live in te?) WoO 99Hacia 1795-1796,
  Dedicated to Antonio Salieri
  Text: unknown author. See WoO 99, #1.
• Quartet for soprano, alto, tenor and bass Nei campi e nelle selve (WoO 99/7a) WoO 99Hacia 1796, o bi
  Dedicated to Antonio Salieri
  Text: from Cantata IX by Metastasio. There are two variants of the piece (7a and 7b). See WoO 99, #1.
• Quartet for soprano, alto, tenor and bass Nei campi e nelle selve (WoO 99/7b) WoO 99Hacia 1796, o bi
  Dedicated to Antonio Salieri
  See WoO 99, #1 and #7a.

781 works of Ludwig van Beethoven.

Genres of compositions by Ludwig van Beethoven

The Ludwig van Beethoven works include: , mainly.